Friday, January 6, 2012

Afterschool

All About My Mother

  • Widescreen
  • Exclusive Interview with director Pedro Almodovar
  • Subtitles in English and French
  • Director's production notes
  • Talent files
A single mother in Madrid sees her only son die on his 17th birthday as he runs to seek an actress's autograph. She goes to Barcelona to find the lad's father, a transvestite named Lola who does not know he has a child. First she finds her friend, Agrado, also a transvestite; through him she meets Rosa, a young nun bound for El Salvador, and by happenstance becomes the personal assistant of Huma Rojo, the actress her son admired. She helps Huma manage Nina, the co-star and Huma's lover, and she becomes Rosa's caretaker during a dicey pregnancy. With echoes of Lorca, All About Eve, and A Streetcar Named Desire, the mothers (and fathers and actors) live out grief, love, and friendship.After her son is killed in an acc! ident, Manuela (Cecilia Roth) leaves Madrid for her old haunts in Barcelona. She reconnects with an old friend, a pre-op transsexual prostitute named La Agrado (Antonia San Juan), who introduces her to Rosa (Penélope Cruz), a young nun who turns out to be pregnant. Meanwhile, Manuela becomes a personal assistant for Huma Rojo (Marisa Paredes), an actress currently playing Blanche DuBois in a production of A Streetcar Named Desire. All About My Mother traces the delicate web of friendship and loss that binds these women together. The movie is dedicated to the actresses of the world, so it's not surprising that all the performances are superb. Roth in particular anchors All About My Mother with compassion and generosity. But fans of writer-director Pedro Almodóvar needn't fret--as always, Almodóvar's work undermines conventional notions of sexual identity and embraces all human possibilities with bright colors and melodramatic plotting. However, A! ll About My Mother approaches its twists and turns with a ! broader emotional scope than most of Almodóvar's work; even the more extravagant aspects of the story are presented quietly, to allow the sadness of life to be as present as the irrepressible vitality of the characters. Almodóvar embraces pettiness, jealousy, and grief as much as kindness, courage, and outrageousness, and the movie is the richer for it. --Bret FetzerAfter her son is killed in an accident, Manuela (Cecilia Roth) leaves Madrid for her old haunts in Barcelona. She reconnects with an old friend, a pre-op transsexual prostitute named La Agrado (Antonia San Juan), who introduces her to Rosa (Penélope Cruz), a young nun who turns out to be pregnant. Meanwhile, Manuela becomes a personal assistant for Huma Rojo (Marisa Paredes), an actress currently playing Blanche DuBois in a production of A Streetcar Named Desire. All About My Mother traces the delicate web of friendship and loss that binds these women together. The movie is dedicated to the actres! ses of the world, so it's not surprising that all the performances are superb. Roth in particular anchors All About My Mother with compassion and generosity. But fans of writer-director Pedro Almodóvar needn't fret--as always, Almodóvar's work undermines conventional notions of sexual identity and embraces all human possibilities with bright colors and melodramatic plotting. However, All About My Mother approaches its twists and turns with a broader emotional scope than most of Almodóvar's work; even the more extravagant aspects of the story are presented quietly, to allow the sadness of life to be as present as the irrepressible vitality of the characters. Almodóvar embraces pettiness, jealousy, and grief as much as kindness, courage, and outrageousness, and the movie is the richer for it. --Bret Fetzer

Monday, January 2, 2012

Girls Life Application Study Bible NLT (Kid's Life Application Bible)

  • ISBN13: 9781414306469
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

A compassionate, humorous story of faith, betrayal, and coming of age on the evangelical sawdust trail.

She was just three years old when her mother signed on as the organist of tent revivalist David Terrell, and before long, Donna Johnson was part of the hugely popular evangelical preacher's inner circle. At seventeen, she left the ministry for good, with a trove of stranger-than-fiction memories. A homecoming like no other, Holy Ghost Girl brings to life miracles, exorcisms, and faceoffs with the Ku Klux Klan. And that's just what went on under the tent.

As Terrell became known worldwide during the 1960s and '70s, the caravan of broken-down cars and trucks that made! up his ministry evolved into fleets of Mercedes and airplanes. The glories of the Word mixed with betrayals of the flesh and Donna's mother bore Terrell's children in one of the several secret households he maintained. Thousands of followers, dubbed "Terrellites" by the press, left their homes to await the end of the world in cultlike communities. Jesus didn't show, but the IRS did, and the prophet/healer went to prison.

Recounted with deadpan observations and surreal detail, Holy Ghost Girl bypasses easy judgment to articulate a rich world in which the mystery of faith and human frailty share a surprising and humorous coexistence.

Donna Johnson's remarkable story of being raised under the biggest gospel tent in the world, by David Terrell, one of the most famous evangelical ministers of the 1960s and 70s. Holy Ghost Girl is a compassionate, humorous exploration of faith, betrayal, and coming of age on the sawdust trail.

She was! just three years old when her mother signed on as the organis! t of ten t revivalist David Terrell, and before long, Donna Johnson was part of the hugely popular evangelical preacher's inner circle. At seventeen, she left the ministry for good, with a trove of stranger- than-fiction memories. A homecoming like no other, Holy Ghost Girl brings to life miracles, exorcisms, and faceoffs with the Ku Klux Klan. And that's just what went on under the tent.

As Terrell became known worldwide during the 1960s and '70s, the caravan of broken-down cars and trucks that made up his ministry evolved into fleets of Mercedes and airplanes. The glories of the Word mixed with betrayals of the flesh and Donna's mother bore Terrell's children in one of the several secret households he maintained. Thousands of followers, dubbed Terrellites" by the press, left their homes to await the end of the world in cultlike communities. Jesus didn't show, but the IRS did, and the prophet/healer went to prison.

Recounted with deadpan observations and sur! real detail, Holy Ghost Girl bypasses easy judgment to articulate a rich world in which the mystery of faith and human frailty share a surprising and humorous coexistence.

" Donna Johnson's remarkable story of being raised under the biggest gospel tent in the world, by David Terrell, one of the most famous evangelical ministers of the 1960s and 70s. Holy Ghost Girl is a compassionate, humorous exploration of faith, betrayal, and coming of age on the sawdust trail.

She was just three years old when her mother signed on as the organist of tent revivalist David Terrell, and before long, Donna Johnson was part of the hugely popular evangelical preacher's inner circle. At seventeen, she left the ministry for good, with a trove of stranger- than-fiction memories. A homecoming like no other, Holy Ghost Girl brings to life miracles, exorcisms, and faceoffs with the Ku Klux Klan. And that's just what went on under the tent.

As Te! rrell became known worldwide during the 1960s and '70s, the ca! ravan of broken-down cars and trucks that made up his ministry evolved into fleets of Mercedes and airplanes. The glories of the Word mixed with betrayals of the flesh and Donna's mother bore Terrell's children in one of the several secret households he maintained. Thousands of followers, dubbed Terrellites" by the press, left their homes to await the end of the world in cultlike communities. Jesus didn't show, but the IRS did, and the prophet/healer went to prison.

Recounted with deadpan observations and surreal detail, Holy Ghost Girl bypasses easy judgment to articulate a rich world in which the mystery of faith and human frailty share a surprising and humorous coexistence.

"Girls return with their long awaited second full-length. More spontaneous and stripped-down than either their self-made debut or their lush EP, Father, Son, Holy Ghost is a gorgeous, largely minor-key record, enlivened by flashes of innocent pop and given depth by its wealth of i! nfluences and willingness to face sadness.Girls return with their long awaited second full-length. More spontaneous and stripped-down than either their self-made debut or their lush EP, Father, Son, Holy Ghost is a gorgeous, largely minor-key record, enlivened by flashes of innocent pop and given depth by its wealth of influences and willingness to face sadness.This fun, fresh Bible, created especially for girls ages 8 to 12, presents God's Word in a meaningful way that helps them grow strong in their faith. Special features address issues girls and boys are facing at this age related directly to the experiences of living and growing up. There are many special features, including profiles of women in the Bible, character dilemmas (“How should I respond in this situation?”), answers to hot issues of the day, andâ€"on the lighter sideâ€"some accounts of embarrassing stories that have happened to boys and girls at this age.

Features:

  • Age-appropria! te notes.
  • Attractive cover designs.
  • 16 pages of full! -color i llustrations about Bible-time daily life and customs.
  • Presentation page.
  • 1 year Greatest Stories reading plan.
  • Quick Answers topical index.
  • At-a-Glanceâ€"A first-person narration by women of the Bible about their own experiences and lessons learned.
  • What Now?â€"Authentic, third-person scenarios in a conversational format designed to challenge readers to make their own decision about a real-life situation, pointing to Scripture for answers.
  • I Survived!â€"Personal stories of how older teens handled situations tweens are currently facing.
  • I'm Not the Only One!â€"Gives a lighter perspective on embarrassing situations.
  • Is It OK?â€"A reality check on what the Bible has to say about questions that are really on kids' minds.
  • Amazing Factsâ€"Interesting tidbits of Bible information designed to hook readers to Scripture.
  • Memory verses, charts, maps, book introductions, Plan of Salvation, and how to Read the Bible.

Saturday, December 31, 2011

Bright Young Things

  • Based on the novel, Vile Bodies by Evelyn Waugh, Bright Young Things is a look at the uppercrust British society during the frenzied 1930s. The story follows the lives of a group of young socialites also known as the "Bright Young Things."Running Time: 105 min. Format: DVD MOVIE Genre: COMEDY Rating: R Age: 794043779022 UPC: 794043779022 Manufacturer No: N7790

For the bright young things of 1929, the beautiful days seem endless, filled with romance and heartbreak, adventure and intrigue, friendship and rivalry.

After a month in New York, Cordelia Grey and Letty Larkspur are small-town girls no longer. They spend their afternoons with Astrid Donal at the Greys’ lush Long Island estate and their nights in Manhattan’s bustling metropolis. But Letty’s not content to be a mere socialite. She is ready at last to chase her Broadway dreamsâ€"no matter the cost.

Cordel! ia is still reeling from the death of her father at the hands of Thom Hale, the man she thought she loved. Now she is set to honor Darius Grey’s legacy . . . and take her revenge.

Promised to Cordelia’s half brother, Astrid is caught up in a world of dazzling jewels and glittering nightsâ€"and the sparkle is blinding. Charlie Grey is a gangster playing a dangerous game; and for Astrid, Cordelia, and Letty, the stakes could be deadly.

From the New York Times bestselling author of The Luxe comes the second book in an epic series set in the dizzying last summer of the Jazz Age.

The year is 1929. New York is ruled by the Bright Young Things: flappers and socialites seeking thrills and chasing dreams in the anything-goes era of the Roaring Twenties.

Letty Larkspur and Cordelia Grey escaped their small Midwestern town for New York's glittering metropolis. All Letty wants is to see her name in lights, ! but she quickly discovers Manhattan is filled with pretty girl! s who wi ll do anything to be a star. . . .

Cordelia is searching for the father she's never known, a man as infamous for his wild parties as he is for his shadowy schemes. Overnight, she enters a world more thrilling and glamorous than she ever could have imaginedâ€"and more dangerous. It's a life anyone would kill for . . . and someone will.

The only person Cordelia can trust is ­Astrid Donal, a flapper who seems to have it all: money, looks, and the love of Cordelia's brother, Charlie. But Astrid's perfect veneer hides a score of family secrets.

Across the vast lawns of Long Island, in the ­illicit speakeasies of Manhattan, and on the blindingly lit stages of Broadway, the three girls' fortunes will rise and fallâ€"together and apart. From the New York Times bestselling author of The Luxe comes an epic new series set in the dizzying last summer of the Jazz Age.

The year is 1929. New York is ruled by the Bright Young Things: fla! ppers and socialites seeking thrills and chasing dreams in the anything-goes era of the Roaring Twenties.

Letty Larkspur and Cordelia Grey escaped their small Midwestern town for New York's glittering metropolis. All Letty wants is to see her name in lights, but she quickly discovers Manhattan is filled with pretty girls who will do anything to be a star…

Cordelia is searching for the father she's never known, a man as infamous for his wild parties as he is for his shadowy schemes. Overnight, she enters a world more thrilling and glamorous than she ever could have imaginedâ€"and more dangerous. It's a life anyone would kill for . . . and someone will.

The only person Cordelia can trust is Astrid Donal, a flapper who seems to have it all: money, looks, and the love of Cordelia's brother, Charlie. But Astrid's perfect veneer hides a score of family secrets.

Across the vast lawns of Long Island, in the illicit speakeasies of Manhattan,! and on the blindingly lit stages of Broadway, the three girls! ' fortun es will rise and fallâ€"together and apart. From the New York Times bestselling author of The Luxe comes an epic new series set in the dizzying last summer of the Jazz Age.



Anna Godberson’s Playlist
Anna Godberson
Bright Young Things
may take place during the Jazz Age, but author Anna Godberson shows us that the tunes she prefers range from Cat Power to Prince. Check out what she loves and why. (Click on the song name to listen to a sample)




"River Deep â€" Mountain High" by Ike & Tina Turner

I spend a lot of time in a chair in front of my computer obsessively reworkin! g sentences. This song is ecstatic and full of life and whenever I hear it I want to get up and move.

"Lived in Bars" by Cat Power
This song sounds to me like the wise, sad, tired, wired, voice of experience, the kind of beauty that you can only see after you’ve been worn down. That’s what Bright Young Things is all about.

"You Said Something" by PJ Harvey
This one is like an exquisite New Yorker story, perfect in its simplicity and specificity but universal in what it expresses.

"California" by Joni Mitchell
That’s where I’m from, and this is the soundtrack of my homesickness. Plus, the lyrics are literary and whip-smart and impossible for a California girl to forget.

"Go West" by Liz Phair!
People like to make fun of Liz Pha! ir these days, but her voice was the voice of my young womanhood, and “Go West” was the anthem of all to-hell-with-men, bridge-burning episodes.

"Love Me Like A Man" by Bonnie Raitt
The title says it all, and it just gets better from there.

"Tell It Like It Is" by Etta James
Awesome plea for romantic decency, but in that raw, lusty, commanding voice. After at least four thousand listens, I still nod along like the first time.

"You Only Live Once" by The Strokes
Not to date myself, but around the time I graduated from college, this was the coolest band to mock. Who cares? In my opinion, this is the ultimate jogging song.

"I Could Never Take the Place of Your Man" by Prince
This is also an instant dan! ce party number for meâ€"is anyone as weird and cool as Prince?

"God" by John Lennon
To me, this is the ultimate expression of an artist’s belief in self. There is something bleak, but also really clear-eyed and uplifting about. Plus, it’s gorgeous.

"Bring It On Home to Me" by Sam Cooke
If I could curl up in Sam Cooke’s voice and sleep forever, I’d do it. This one is just so desperate and romantic and it sounds just like what it means.

"Like A Rolling Stone" by Bob Dylan
My parents were hippies, and I grew up in the Church Of Dylan. For a guaranteed good time, get on the freeway, roll the window down, step on the gas, and turn the volume up on this number. Please be prepared to sing along.



Who set's today's new tren! ds? At the beginning of a new millennium, who is it that defi! nes what is fashionable, who has the true will to create, who knows how to make glamour a lifestyle? Bright Young Things introduces us to some of the most prominent members of America's younger generation, the high-flyers who set the style, pace and attitudes of their time such as Alexandra and Alexandre von Furstenberg, Aerin Lauder and Eric Zinterhofer, Damian Loeb, Moby, Marina Rust, Andrew Lauren, Serena Altschul, to name a few. And what makes this young, dynamic, styleish group quite interesting, visible and somewhat powerful, is that they are all extremely accomplished individuals in their personal lives, as well as being very accomplished leaders in their relative fields - business, arts, literature, music, movie production, fashion designing, etc. We discover their house, interior and the lives they lead. With contributions by Bill Blass, Brooke Astor, Oscar de la Renta, Diane von Furstenberg, Anh Duong, Carolina Herrera, among others.

For the bright young things of ! 1929, the beautiful days seem endless, filled with romance and heartbreak, adventure and intrigue, friendship and rivalry.

After a month in New York, Cordelia Grey and Letty Larkspur are small-town girls no longer. They spend their afternoons with Astrid Donal at the Greys’ lush Long Island estate and their nights in Manhattan’s bustling metropolis. But Letty’s not content to be a mere socialite. She is ready at last to chase her Broadway dreamsâ€"no matter the cost.

Cordelia is still reeling from the death of her father at the hands of Thom Hale, the man she thought she loved. Now she is set to honor Darius Grey’s legacy . . . and take her revenge.

Promised to Cordelia’s half brother, Astrid is caught up in a world of dazzling jewels and glittering nightsâ€"and the sparkle is blinding. Charlie Grey is a gangster playing a dangerous game; and for Astrid, Cordelia, and Letty, the stakes could be deadly.

From the New York Times bestse! lling author of The Luxe comes the second book in an ep! ic serie s set in the dizzying last summer of the Jazz Age.

For the bright young things of 1929, the beautiful days seem endless, filled with romance and heartbreak, adventure and intrigue, friendship and rivalry.

After a month in New York, Cordelia Grey and Letty Larkspur are small-town girls no longer. They spend their afternoons with Astrid Donal at the Greys’ lush Long Island estate and their nights in Manhattan’s bustling metropolis. But Letty’s not content to be a mere socialite. She is ready at last to chase her Broadway dreamsâ€"no matter the cost.

Cordelia is still reeling from the death of her father at the hands of Thom Hale, the man she thought she loved. Now she is set to honor Darius Grey’s legacy . . . and take her revenge.

Promised to Cordelia’s half brother, Astrid is caught up in a world of dazzling jewels and glittering nightsâ€"and the sparkle is blinding. Charlie Grey is a gangster playing a dangerous game; and for Astrid, Corde! lia, and Letty, the stakes could be deadly.

From the New York Times bestselling author of The Luxe comes the second book in an epic series set in the dizzying last summer of the Jazz Age.

Bright young things required for big project...Six young people respond to the advert in The Times - all clever, all disaffected with their lives, all looking for an escape. What they least expect is to find themselves prisoners on an island, at the mercy of...who? Their needs are well provided for with a comfortable house and provisions but there's no telephone, no television and no way to escape. The bright young things have to start working out why they're there and how to get away before it's too late...

The year is 1929. New York is ruled by the Bright Young Things: flappers and socialites seeking thrills and chasing dreams in the anything-goes era of the Roaring Twenties.

Letty Larkspur and Cordelia Grey escaped their small Midw! estern town for New York's glittering metropolis. All Letty wa! nts is t o see her name in lights, but she quickly discovers Manhattan is filled with pretty girls who will do anything to be a star. . . .

Cordelia is searching for the father she's never known, a man as infamous for his wild parties as he is for his shadowy schemes. Overnight, she enters a world more thrilling and glamorous than she ever could have imaginedâ€"and more dangerous. It's a life anyone would kill for . . . and someone will.

The only person Cordelia can trust is ­Astrid Donal, a flapper who seems to have it all: money, looks, and the love of Cordelia's brother, Charlie. But Astrid's perfect veneer hides a score of family secrets.

Across the vast lawns of Long Island, in the ­illicit speakeasies of Manhattan, and on the blindingly lit stages of Broadway, the three girls' fortunes will rise and fallâ€"together and apart. From the New York Times bestselling author of The Luxe comes an epic new series set in the dizzying last summer o! f the Jazz Age.

The year is 1929. New York is ruled by the Bright Young Things: flappers and socialites seeking thrills and chasing dreams in the anything-goes era of the Roaring Twenties.

Letty Larkspur and Cordelia Grey escaped their small Midwestern town for New York's glittering metropolis. All Letty wants is to see her name in lights, but she quickly discovers Manhattan is filled with pretty girls who will do anything to be a star…

Cordelia is searching for the father she's never known, a man as infamous for his wild parties as he is for his shadowy schemes. Overnight, she enters a world more thrilling and glamorous than she ever could have imaginedâ€"and more dangerous. It's a life anyone would kill for . . . and someone will.

The only person Cordelia can trust is Astrid Donal, a flapper who seems to have it all: money, looks, and the love of Cordelia's brother, Charlie. But Astrid's perfect veneer hides a score of family secrets.

Across the vast lawns of Long Island, in the illicit s! peakeasi es of Manhattan, and on the blindingly lit stages of Broadway, the three girls' fortunes will rise and fallâ€"together and apart. From the New York Times bestselling author of The Luxe comes an epic new series set in the dizzying last summer of the Jazz Age.



Anna Godberson’s Playlist
Anna Godberson
Bright Young Things
may take place during the Jazz Age, but author Anna Godberson shows us that the tunes she prefers range from Cat Power to Prince. Check out what she loves and why. (Click on the song name to listen to a sample)




"River Deep â€" Mountain High" by Ike & Tina Turner

I spend a lot of time in a chair in front of my computer obsessively reworking sentences. This song is ecstatic and full of life and whenever I hear it I want to get up and move.

"Lived in Bars" by Cat Power
This song sounds to me like the wise, sad, tired, wired, voice of experience, the kind of beauty that you can only see after you’ve been worn down. That’s what Bright Young Things is all about.

"You Said Something" by PJ Harvey
This one is like an exquisite New Yorker story, perfect in its simplicity and specificity but universal in what it expresses.

"California" by Joni Mitchell
That’s where I’m from, and this is the soundtrack of my homesickness. Plus, the lyrics are literary and whip-smart and impossible for a Californ! ia girl to forget.

"Go We st" by Liz Phair
People like to make fun of Liz Phair these days, but her voice was the voice of my young womanhood, and “Go West” was the anthem of all to-hell-with-men, bridge-burning episodes.

"Love Me Like A Man" by Bonnie Raitt
The title says it all, and it just gets better from there.

"Tell It Like It Is" by Etta James
Awesome plea for romantic decency, but in that raw, lusty, commanding voice. After at least four thousand listens, I still nod along like the first time.

"You Only Live Once" by The Strokes
Not to date myself, but around the time I graduated from college, this was the coolest band to mock. Who cares? In my opinion, this is the ultimate jogging song.

"I Could Never Take t! he Place of Your Man" by Prince
This is also an instant dance party number for meâ€"is anyone as weird and cool as Prince?

"God" by John Lennon
To me, this is the ultimate expression of an artist’s belief in self. There is something bleak, but also really clear-eyed and uplifting about. Plus, it’s gorgeous.

"Bring It On Home to Me" by Sam Cooke
If I could curl up in Sam Cooke’s voice and sleep forever, I’d do it. This one is just so desperate and romantic and it sounds just like what it means.

"Like A Rolling Stone" by Bob Dylan
My parents were hippies, and I grew up in the Church Of Dylan. For a guaranteed good time, get on the freeway, roll the window down, step on the gas, and turn the volume up on this number. Please be prep! ared to sing along.



The year is 1929. New York is ruled by the Bright Young Things: flappers and socialites seeking thrills and chasing dreams in the anything-goes era of the Roaring Twenties.

Letty Larkspur and Cordelia Grey escaped their small Midwestern town for New York's glittering metropolis. All Letty wants is to see her name in lights, but she quickly discovers Manhattan is filled with pretty girls who will do anything to be a star. . . .

Cordelia is searching for the father she's never known, a man as infamous for his wild parties as he is for his shadowy schemes. Overnight, she enters a world more thrilling and glamorous than she ever could have imaginedâ€"and more dangerous. It's a life anyone would kill for . . . and someone will.

The only person Cordelia can trust is ­Astrid Donal, a flapper who seems to have it all: money, looks, and the love of Cordelia's brother, Charlie. But Astrid's perfect veneer hides a score of family secrets.

!

Across the vast lawns of Long Island, in the ­illicit speakeasies of Manhattan, and on the blindingly lit stages of Broadway, the three girls' fortunes will rise and fallâ€"together and apart. From the New York Times bestselling author of The Luxe comes an epic new series set in the dizzying last summer of the Jazz Age.

Brooke de Ocampo invites us back into the homes of Bright Young Things, only this time she opens the doors to London's most stylish and enterprising trendsetters. Bright Young Things London is the highly anticipated follow-up to the successful New York edition. This lush, elegant book is an enthralling journey through the homes of the most envied and emulated residents of one of the world's most envied and emulated residents of one of the world's most exciting cities. Step inside the fabulous lives of 40 architects, artists, designers, and writers to discover why they embody everything London is known for: wit, cutting-edge style, and! glamour. Along with elegant photographs by Vanity Fair photo! grapher Jonathan Becker are intimate anecdotes written by the people who know these bright young things best: Claus von Bulow writes about his daughter Cosima; Ewan and Eve MacGregor rave about the home David Adjaye designed for them; Michael Kors fawns over his muse, Kim Hersov; and Paul Smith writes about Robert Violette. Bright Young Things London captures the spirit of the city while paying tribute to its international influences. It is just as addictive in London as it was in New York.Power . . . love . . . scandal . . .
There’s never enough to go around.
 
In the city that never sleeps, Lorraine Dyer is wide awake. Ever since she exposed Clara Knowles for the tramp she wasâ€"and lost her closest confidante in the processâ€"Lorraine has spent every second scheming to make her selfish, lovesick exâ€"best friend pay for what she did. No one crosses Lorraine. Not even Gloria.
 
True love conquers everythingâ€"or so Gloria Carmody crazily believ! ed. She and Jerome Johnson can barely scrape together cash for their rent, let alone have a moment to whisper sweet nothings in the dark. And if they thought escaping Chicago meant they’d get away with murder . . . they were dead wrong.
 
Clara was sure that once handsome, charming Marcus Eastman discovered her shameful secret, he’d drop her like a bad habit. Instead, he swept her off her feet and whisked her away to New York. Being with Marcus is a breath of fresh airâ€"and a chance for Clara to leave her wild flapper ways firmly in the past. Except the dazzling parties and bright lights won’t stop whispering her name. . . .

INGENUE is the second novel in the sexy, dangerous, and ridiculously romantic Flappers series set in the Roaring Twenties . . . where revenge is a dish best served cold."Some time in the past when things were much as they are now, only more so..." A satirical comedy as well as a love story, Bright Youngs Thing! s marks the the directoral debut of actor Stephen Fry. "Bright Young Things," says Fry, "is a period film shot with modern pace and cinematography. It deals with fame, sexual scandal, greed, night-clubbing, and the frantic glamour of youth."

While the central plot of Bright Young Things is a romance, it is also a highly topical social comedy that shows a conservative older generation failing to understand the club culture, music, dance, and frenetic pace of its children, modern society at its most decadent and most colorful is fully on display as is the popular media fueled by gossip columnists and paparazzi who dominate a tabloid press propelled by rumor and scandal.

Disney / Pixar CARS 2 Movie Exclusive PVC 10Pack Deluxe Figurine Playset

Friday, December 30, 2011

Trilogy of Terror (Special Edition)

  • Legendary producer/director Dan Curtis (DARK SHADOWS, THE NIGHT STALKER) teams up with writers Richard Matheson (I AM LEGEND, THE TWILIGHT ZONE) and William F. Nolan (LOGAN S RUN, BURNT OFFERINGS) to present three tales of horrific suspense in this made-for-television anthology that also showcases the tremendous acting talent of Karen Black (FIVE EASY PIECES, THE DAY OF THE LOCUST), who plays four
Sally, a young girl, moves to Rhode Island to live with her father and his new girlfriend in the 19th-century mansion they are restoring. While exploring the house, Sally starts to hear voices coming from creatures in the basement whose hidden agenda is to claim her as one of their own.Fondly remembered for scaring the Tab out of impressionable viewers, 1973's television movie Don't Be Afraid of the Dark stands today as a minor classic of irrational dream-logic horror, with an ending that goe! s straight for the worst-case scenario. Despite (or perhaps because of) its wonky effects, minimalist character development, and snicker-worthy Freudisms, it knows how to linger into the wee small hours. Cowriter-producer Guillermo del Toro's mash note of a remake is a superior movie in virtually all aspects, really, yet it somehow fails to ping the same whimpering neurons. Director Troy Nixey's film follows the same basic blueprint as the source material--a fractured family (Guy Pearce, Katie Holmes, and Bailee Madison) moves into a dark old house, only to be tormented by a gaggle of tiny chatterbox demons--but with a much greater emphasis on the mythology and back story of the creatures. Del Toro has long proclaimed his love for the original movie, and it's rather fascinating to see the filmmaker attempt to shoehorn his own trademark obsessions (grim fairy-tale origins, spooky little girls, odd Lovecraftian angles, etc.) into the existing material. Still, such Gothic curl! icues, however nifty, ultimately end up diluting the solid-sta! te night mare fuel of the premise. Aside from a few solid shocks and a strong performance by Holmes, this heartfelt redo is unlikely to have the same lasting effect on audiences as the much cruder original. Instead of focusing on the hows and whys, that one just wanted to freak the viewer out. --Andrew WrightSally, a young girl, moves to Rhode Island to live with her father and his new girlfriend in the 19th-century mansion they are restoring. While exploring the house, Sally starts to hear voices coming from creatures in the basement whose hidden agenda is to claim her as one of their own.Fondly remembered for scaring the Tab out of impressionable viewers, 1973's television movie Don't Be Afraid of the Dark stands today as a minor classic of irrational dream-logic horror, with an ending that goes straight for the worst-case scenario. Despite (or perhaps because of) its wonky effects, minimalist character development, and snicker-worthy Freudisms, it knows how to linger! into the wee small hours. Cowriter-producer Guillermo del Toro's mash note of a remake is a superior movie in virtually all aspects, really, yet it somehow fails to ping the same whimpering neurons. Director Troy Nixey's film follows the same basic blueprint as the source material--a fractured family (Guy Pearce, Katie Holmes, and Bailee Madison) moves into a dark old house, only to be tormented by a gaggle of tiny chatterbox demons--but with a much greater emphasis on the mythology and back story of the creatures. Del Toro has long proclaimed his love for the original movie, and it's rather fascinating to see the filmmaker attempt to shoehorn his own trademark obsessions (grim fairy-tale origins, spooky little girls, odd Lovecraftian angles, etc.) into the existing material. Still, such Gothic curlicues, however nifty, ultimately end up diluting the solid-state nightmare fuel of the premise. Aside from a few solid shocks and a strong performance by Holmes, this heartfelt ! redo is unlikely to have the same lasting effect on audiences ! as the m uch cruder original. Instead of focusing on the hows and whys, that one just wanted to freak the viewer out. --Andrew WrightIt's back! The classic TV MOW that continues to cast a spell almost 40 years after it was first broadcast; in a new remastered and enhanced edition. Sally (Kim Darby) and Alex Farnham's (Jim Hutton) marriage has a sinister wedge driven through it; when her occult "imaginings" threaten to derail his career after they inherit Sally's grandmother's house. Also starring William Demarest. Enhanced Content: Superfan commentary track from horror fans and pros Jeffrey Reddick, Steve Barton ("Uncle Creepy") and Sean Abley.

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An old house...a mysterious locked room... a terrifying secret. Elements that make a horror movie memorably chilling get a taut, spooky reworking in Don't Be Afraid of the Dark. Kim Darby (True Grit) and! Jim Hutton (The Green Berets) star as Sally and Alex, young marrieds who inherit a crumbling mansion. Despite warnings to leave well enough alone in her new home, Sally unlocks the mysterious room, opens a bricked-up fireplace - and unleashes a horde of hideous, whispering, murdering mini-demons only she can see and hear. Alex thinks she's imagining things. We know she isn't. And we know Sally should be very, very afraid of the dark!

This product is manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.

Legendary producer / director Dan Curtis (DARK SHADOWS, THE NIGHT STALKER) teams up with writers Richard Matheson (I AM LEGEND, THE TWILIGHT ZONE) and William F. Nolan (LOGAN’S RUN, BURNT OFFERINGS) to present three tales of horrific suspense in this made-for-television anthology that also showcases the tremendous acting talent of Karen Black (FIVE EASY PIECES, THE DAY OF THE LOCUST), who plays no less than four! distinct roles. In "Julie," an aggressive college student se! duces an d ultimately blackmails his seemingly shy English professor. In "Millicent and Therese," two polar-opposite sisters become increasingly hell-bent on the undoing of one another. And in "Amelia," a woman falls prey to a murderous Zuni fetish doll.

Dan Curtis, the creator and producer of such out-of-the-ordinary TV classics as the willfully offbeat gothic soap opera Dark Shadows and the proto-X-Files series The Night Stalker, remains best known for the Zuni fetish doll that terrorizes Karen Black in Trilogy of Terror. The wild-eyed doll, with its snapping jaws and screeching yells, borders on camp, yet its relentless attacks and single-minded, homicidal drive make it an absolutely terrifying figure in the climactic chapter of this trilogy of short films based on stories by Richard Matheson. In the first story, "Julie," Karen Black plays a mousy college professor blackmailed by an obsessed student, and in "Millicent and Therese" she plays sisters c! onsumed with an intense hatred of one another that comes to a head when their father dies. Both of these films conclude with Twilight Zone-ish twists and are more clever than gripping, kept alive mostly by Black's gleefully theatrical performances. With "Amelia," however, Black delivers an almost solo show, playing against the famous Zuni fetish doll, a wooden statue that comes to life when the a protective chain slips off the figure and releases the evil spirit. Curtis turns her apartment into a claustrophobic cage trapping the increasingly hysterical woman as the unstoppable figure hacks at her legs with a kitchen knife and chomps down on her arms and neck with the relentless intensity of a bulldog. It's still a classic of small-screen horror. --Sean Axmaker

Thursday, December 29, 2011

Cold Dark Waters (Single (2002 remaster))

  • Made in 2002
  • Made by Hasbro
  • Larami Super Soaker
  • Blue and Purple Color Version, with Orange & Green
  • Super Soaker Max D-3000
No one loses their mind instantly â€" Sanity seeps away one drop at a time. Yoshimi simply wanted a better life â€" for both herself and her daughter Ikuko. Unfortunately, such wishes may sometimes be hard to come by. The custody battle has grown embittered and hurtful, her new job is less than desirable, and Ikuko’s schoolwork has taken a turn for the worse. But, Yoshimi has something bigger to worry about. Something upstairs. Something cold and dank. Something that should have never been.Dark Water is Japanese horror auteur Hideo Nakata's return to the genre after his Ring cycle made you too scared to watch television ever again. Where Ringu dealt with a supernatural force wreaking revenge via technology, this fi! lm is a much more traditional ghost story. After winning a custody battle for her daughter, single mother Yoshimi moves into what she thinks is the perfect apartment with her daughter Hitomi. No sooner have they unpacked than strange things begin to disturb their new life. A water leak from the supposedly abandoned apartment above gets bigger and bigger, a child's satchel reappears even though Yoshimi throws it away several times, and she is haunted by the image of a child wearing a yellow mackintosh who bears a striking resemblance to a young girl who disappeared several years before. The conventional narrative follows Yoshimi's increasingly desperate attempts to discover who or what force is haunting her daughter, but the story's execution is far from predictable. Nakata is the master of understated suspense: there's always a feeling of motiveless malignancy that runs like an undercurrent through his films--far more frightening than out and out shocks--and here he also pr! actically drowns his audience in water imagery. The film is sa! turated; the relentless dripping in the apartment, the constant rain outside and the deliberately washed-out photography make any color, such as the yellow coat, seem incongruous and unsettling. Nakata also clears the film of unnecessary characters--this is an almost deserted Tokyo--preferring to concentrate the action on Yoshimi's rising hysteria as she struggles to understand what is happening and how to save her daughter. Granted, the special effects are somewhat unconvincing and the ending confused, but even so the result is a stylish and disquieting chiller that will do for bathtubs what his Ring films did for video recorders. --Kristen Bowditch2002 Hasbro Larami Limited Larami Super Soaker Max D 3000 Water Squirt-Gun (Dark Blue/Dark Purple Version w/Green & Orange)

The Beach Boys - Good Timin' - Live at Knebworth, England 1980

  • Featuring: The Beach Boys.
  • Format: Color, Dolby, DVD, Special Edition, NTSC.
  • Language: English.
  • Region: Region 1 (U.S. and Canada only).
  • Run Time: 70 minutes.
Get your paws on this "irresistible" (The Philadelphia Inquirer) family adventure starring Molly Shannon, Liam Aiken and Kevin Nealon! Featuring a hilarious four-legged cast Ã"â?" with voices by Matthew Broderick, Delta Burke, Donald Faison, Cheech Marin, Brittany Murphy, Vanessa Redgrave and Carl Reiner Ã"â?" this heartwarming tale is a "furry romp that both kids and parents can laugh at together" (The Seattle Times)! Twelve-year-old Owen (Aiken) has a new dog, Hubble (Broderick), who can not only sit, stay and roll over he can also speak Ã"â?" literally! Turns out Hubble is an interplanetary agent from the dog star Sirius. Now Owen is about to discover that Hubble and all his canine buddies are o! n a mission to rule the world!A young boy named Owen learns the startling truth about dogs: They're actually from outer space, sent here to rule mankind. A canine agent from the star Sirius (voiced by Matthew Broderick) gets rescued from the pound by Owen (Liam Aiken) and named Hubble. As Hubble desperately tries to train a motley crew of dogs from Owen's neighborhood to behave like conquerors before the Greater Dane arrives and decides the planet's fate, the outer space pooch slowly bonds with Owen and discovers why dogs may have joined forces with humans instead of dominating them. Good Boy! will charm dog lovers in particular, but the movie has enough clever touches to engage most viewers, and it manages a sweet tone without turning cloyingly saccharine. Featuring the voices of Carl Reiner, Brittany Murphy, Delta Burke, Donald Faison, and--of all people--Vanessa Redgrave as the Greater Dane. --Bret Fetzer

Beach Boys Photos

     
     

More from The Beach Boys


Sounds of Summer

Pet Sounds

The Greatest Hits Vol. 2: 20 More Good Vibrations

Good Vibrations: Thirty Years of The Beach Boys

Endless Harmony

Endless Harmony DVD
The three-volume Good Vibrations series is designed with the hits-hungry fan in mind. Eschewing a strict chronological approach, the best-of sets are arranged according to charting position. Thus the initial collection is laden with the group's trademark tunes, ranging from the California boys' first top 10 charter, 1962's "Surfin' Safari," to their last, 1988's "Kokomo," a stray, post-Brian Wilson success. "Kokomo" is by far the newest selection included here; nothing else dates past 1966's No. 1 smash, "Good Vibrations." With the likes of "Fun, Fun, Fun," "I Get Around," "California Girls," and the incandescent "God Only Knows" rounding out the set, Greatest Hits Volume 1 is the ideal first pick for anyone looking for the Beach Boys at their commercial peak. --Steven Stolder The Beach Boys live in concert at Knebworth Park, Hertfordshire on 21st June 1980 was the last time all six Beach Boys - Brian! Wilson, Mike Love, Carl Wilson, Dennis Wilson, Alan Jardine and Bruce Johnston would appear together, singing and playing, on a UK stage. This special DVD+CD collectors' edition captures this memorable event.DVD TRACKLISTING :
Intro (Good Timin')
California Girls
Sloop John B
Darlin'
School Days
God Only Knows'
Be True To Your School
Do It Again
Little Deuce Coupe
Cotton Fields /
Heroes and Villains
Keepin' The Summer Alive
Lady Lynda
Surfer Girl
Help Me Rhonda
Rock & Roll Music
I Get Around
Surfin' USA
You Are So Beautiful
Good Vibrations
Barbara Ann
Fun, Fun, Fun

CD TRACKLISTING:
INTRO
California Girls
Sloop John B
Darlin'
School Days
God Only Knows
Be True To Your School
Do It Again
Little Deuce Coupe
Cotton Fields /
Heroes And Villains
HAPPY BIRTHDAY BRIAN
Keepin' The Summer Alive
Lady Lynda
Surfer Girl
Help Me ! Rhonda
Rock & Roll Music
I Get Around
Surfin' USA !
You Are So Beautiful
Good Vibrations
Barbara Ann
Fun, Fun, Fun

Also includes
The Beach Boys
On The Beach Boys Songs
Contemporary comments from the band on some of the songs performed at Knebworth.It's entertaining, nostalgic, even poignant... not much more one could ask for from a Beach Boys concert. This 70-minute concert was the last time the complete group (brothers Brian, Carl and Dennis Wilson, Al Jardine, Mike Love, and Bruce Johnston, plus backing musicians) would appear in the U.K., performing a mix of oldies ("California Girls," "Help Me Rhonda," "Fun, Fun, Fun," etc.) and some newer material. And if the show itself is somewhat pedestrian, it's still marvelous to see the three Wilsons together onstage, especially in view of the subsequent deaths of Dennis (in '83) and Carl (in '98), and Brian's eventual triumphant recovery from mental and emotional problems. To hear Carl sing so beautifully on "God Only Knows," or Dennis play drums with s! uch power and emotion, or Brian, vacant but game, contribute a few lines to "Surfer Girl"... well, it might just bring a tear to your eye. --Sam Graham

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