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Arctic Tale

• Awe-inspiring adventure

This heartbreaking documentary puts a face on the sad statistics of global warming--and though it's not a human face, it's the perhaps even more effective face of an adorable polar bear cub, Nanu, along with her mother, her brother, and her natural enemy, the equally heart-melting Seela the walrus. With breathtaking footage of life on the arctic tundra, the directors spin a highly emotional tale of the melting ice caps and the effect of their disappearance on every species in the ecosystem. Since the film is essentially aimed at children, the cuteness factor is off the charts, aided by the slightly grating use of sound effects, a slangy voiceover by Queen Latifah, and a kid-friendly pop/folk soundtrack. And, as in a National Geographic special, viewers learn some interesting and neutral facts about polar bears, walruses, narwhals, foxes, and other northern creatures. T! he narrative, however, returns repeatedly to the grim conditions that are killing off our planet's wildlife, one family at a time. The directors take pains to create a hopeful ending, with a sweet pair of life-goes-on epilogues and a closing credit sequence featuring conservation tips, but the message of the film is sobering and hits its mark with kids and adults alike.The frozen Arctic is home to polar bears and walruses, two very different types of animals whose struggle to survive against the elements is only being made more difficult by a changing climate. Directors Adam Ravetech and Sarah Robertson filmed walruses and polar bears in the Arctic for 15 years in order to create this amazing story about the lives of Nanu the baby polar bear and a newborn walrus dubbed Seelah. Striking footage from land and sea is combined with effective narration by Queen Latifa and pop music by Joby Talbot to chronicle these creatures' lives from the babies' first days of existence, thr! ough two years of training in hunting and fighting by their re! spective mothers and the changes in the icy world that are necessitating new adaptations by these animals, and a contemplation of the chances of both species' continued survival. Like March of the Penguins, the footage of the animals of the Arctic and the formation and breaking up of the ice is exquisite, but perhaps even more striking is the clear evidence of climate change in the delayed formation of the ice in the autumn and its progressively earlier thawing and breaking up each spring. The polar bears' and walruses' resilience and instinctual ability to adapt and change in the face of the negative effects of global warming in order to survive is stressed, and viewers are left pondering why man cannot similarly adapt and change his ways in order to positively affect the world. Bonus features include an interesting "making of" featurette with Adam Ravetech and Sarah Robertson that describes their travels, trials, and enormous gratitude for the assistance of the Intuit pe! ople and a fun Are We There Yet? World Adventure: Polar Bear Spotting mini-adventure for kids in which Molly and Sam go looking for polar bears in a tundra buggy. (Ages 5 and older) --Tami Horiuchi

The Hurt Locker

• Condition: New
• Format: DVD
• AC-3; Color; Dolby; Dubbed; DVD; NTSC; Subtitled; Widescreen

War is a drug. Nobody knows that better than Staff Sergeant James, head of an elite squad of soldiers tasked with disarming bombs in the heat of combat. To do this nerve-shredding job, it’s not enough to be the best: you have to thrive in a zone where the margin of error is zero, think as diabolically as a bomb-maker, and somehow survive with your body and soul intact. Powerfully realistic, action-packed, unrelenting and intense, The Hurt Locker has been hailed by critics as “an adrenaline-soaked tour de force” (A.O. Scott, The New York Times) and “one of the great war movies.” (Richard Corliss, Time)The making of honest action movies has become so rare that Kathryn Bigelow's magnificent The Hurt Locker was shown mostly in ! art cinemas rather than multiplexes. That's fine; the picture is a work of art. But it also delivers more kinetic excitement, more breath-bating suspense, more putting-you-right-there in the danger zone than all the brain-dead, visually incoherent wrecking derbies hogging mall screens. Partly it's a matter of subject. The movie focuses on an Explosive Ordnance Disposal team, the guys whose more or less daily job is to disarm the homemade bombs that have accounted for most U.S. casualties in Iraq. But even more, the film's extraordinary tension derives from the precision and intelligence of Bigelow's direction. She gets every sweaty detail and tactical nuance in the close-up confrontation of man and bomb, while keeping us alert to the volatile wraparound reality of an ineluctably foreign environment--hot streets and blank-walled buildings full of onlookers, some merely curious and some hostile, perhaps thumbing a cellphone that could become a trigger. This is exemplary movie! making. You don't need CGI, just a human eye, and the imaginat! ion to r ealize that, say, the sight of dust and scale popped off a derelict car by an explosion half a block away delivers more shock value than a pixelated fireball.

The setting may be Iraq in 2004, but it could just as well be Thermopylae; The Hurt Locker is no "Iraq War movie." Bigelow and screenwriter Mark Boal--who did time as a journalist embed with an EOD unit--align themselves with neither supporters nor opponents of the U.S. involvement. There's no politics here. War is just the job the characters in the movie do. One in particular, the supremely resourceful staff sergeant played by Jeremy Renner, is addicted to the almost nonstop adrenaline rush and the opportunity to express his esoteric, life-on-the-edge genius. The hurt locker of the title is a box he keeps under his bunk, filled with bomb parts and other signatory memorabilia of "things that could have killed me." That none of it has killed him so far is no real consolation. In this movie, you never know who'! s going to go and when; even high-profile talent (we won't name names here) is no guarantee. But one thing can be guaranteed, and that is that almost every sequence in the movie becomes a riveting, often fiercely enigmatic set piece. This is Kathryn Bigelow's best film since 1987's Near Dark. It could also be the best film of 2009. --Richard T. Jameson

Eight Below (Full Screen Edition)

• Inspired by a true story and the hit Japanese film NANKYOKU MONOGATARI, Frank Marshall s (ALIVE, CONGO) EIGHT BELOW captures a rugged world of ice, snow, and threatening weather that few will ever experience in person. As a guide for a National Science Foundation Research Base in Antarctica, Jerry Shepard (Paul Walker) is perfectly content to spend his time exploring the wilderness with his sled d

On what should be a routine rescue mission during World War II, the submarine USS Tiger Shark picks up three survivors of a U-boat attack. But for the crew -- trapped together in the sub's narrow corridors and constricted spaces -- the unexpected visitors seem to spark a series of chilling, otherworldly occurrences! Starring Hollywood favorites Olivia Williams (THE SIXTH SENSE, THE POSTMAN), Bruce Greenwood (THIRTEEN DAYS, DOUBLE JEAPOARD), and Matt Davis (LEGALLY BLONDE, BLUE CRUSH).Inspired by the! vintage thrillers of Val Lewton and Jacques Tourneur, Below is a superbly crafted spookfest primed for cult-favorite status. As he did with The Arrival and Pitch Black, director David Twohy revitalizes a B-movie staple--in this case, the World War II submarine thriller--by turning it into a nerve-wracking funhouse of smoke and mirrors, where chilling visions tease the brain and stir paranoia among a close-knit group of terrified characters. When a U.S. sub takes on three survivors from a sinking British ship, its captain (Bruce Greenwood) uncovers secrets while concealing his own. As the sub's recent history unfolds, its crew is increasingly haunted by ghostly images, fleeting and subliminal, while the threat of German attack looms ominously overhead. More of a mood piece than a truly satisfying thriller, Below favors tense atmosphere over cohesive plotting, but it's so visually captivating, and so tautly acted by a fine ensemble cast, that its ! narrative flaws are easily forgiven. --Jeff ShannonOn w! hat was supposed to be a routine rescue mission during World War II, the submarine USS Tiger Shark picks up three survivors of a U-boat attack. But the crew begins to noticeâ€"while trapped together in the sub's narrow corridors and constricted spacesâ€"that the visitors seem to spark a series of chilling, otherworldly occurrences. Starring Hollywood favorites Olivia Williams (TV's Dollhouse), Zach Galifianakis (The Hangover Part II), Jason Flemyng (Clash of the Titans), Bruce Greenwood (Barney's Version) and Matthew Davis (TV's The Vampire Diaries).Inspired by the vintage thrillers of Val Lewton and Jacques Tourneur, Below is a superbly crafted spookfest primed for cult-favorite status. As he did with The Arrival and Pitch Black, director David Twohy revitalizes a B-movie staple--in this case, the World War II submarine thriller--by turning it into a nerve-wracking funhouse of smoke and mirro! rs, where chilling visions tease the brain and stir paranoia among a close-knit group of terrified characters. When a U.S. sub takes on three survivors from a sinking British ship, its captain (Bruce Greenwood) uncovers secrets while concealing his own. As the sub's recent history unfolds, its crew is increasingly haunted by ghostly images, fleeting and subliminal, while the threat of German attack looms ominously overhead. More of a mood piece than a truly satisfying thriller, Below favors tense atmosphere over cohesive plotting, but it's so visually captivating, and so tautly acted by a fine ensemble cast, that its narrative flaws are easily forgiven. --Jeff ShannonIt's Mitchum vs. Jurgens as the commanders of an American destroyer and a German U-boat play a deadly game of cat and mouse.In The Enemy Below Robert Mitchum and Curt Jurgens are respectively captains of a U.S. destroyer and a German U-boat whose vessels come into conflict in the South Atla! ntic. Both are good men with a job to do, the script noting Ju! rgens' d istaste for Hitler and the Nazis and engaging our sympathy with the German sailors almost as much as the Americans. Made at the height of the cold war of the 1950s, the film delivers a liberal message of co-operation wrapped inside some spectacular action scenes and a story which builds to a tense and exciting, moving finale. --Gary S. DalkinThree quarters of her crew are deep sea miners, geneoids, humans designed with aquatic traits that have created creatures of such beauty that Victoria can’t help but be drawn to them, particularly the merman, Raphael. When he claims her as his companion, he places her in an untenable position, but Victoria quickly discovers that the rules set down by the company that has betrayed them all are of no concern to her when it comes to Raphael, and that she is just as determined to have him as the company is to part them forever.


The Romance Studio
Reviewed by Sara Sawyer
Overall Rating: 5 Hearts!

Ms. O'Connor weaves a marvelous futuristic and thrilling book. This novel captures your attention from the first page as each character imbeds themselves into your psyche. Raphael is a genetic experiment that understands that most of the "pure" humans rank him somewhere below themselves, yet above fish. While he does understand this, he does not accept it. Raphael is a strong, beautiful and supremely complex man and a perfect counterpart to Victoria's rule-abiding, open minded self. Together the main characters make the story come alive. The threats, the insecurities, the mystery that surrounds Kay and its blood-colored water is enthralling and well worth the journey.


Three quarters of her crew are deep sea miners, geneoids, humans designed with aquatic traits that have created creatures of such beauty that Victoria can’t help but be drawn to them, particularly the merman, Raphael. When he claims her as his companion, he places her in an untenable posi! tion, but Victoria quickly discovers that the rules set down b! y the co mpany that has betrayed them all are of no concern to her when it comes to Raphael, and that she is just as determined to have him as the company is to part them forever.


The Romance Studio
Reviewed by Sara Sawyer
Overall Rating: 5 Hearts!

Ms. O'Connor weaves a marvelous futuristic and thrilling book. This novel captures your attention from the first page as each character imbeds themselves into your psyche. Raphael is a genetic experiment that understands that most of the "pure" humans rank him somewhere below themselves, yet above fish. While he does understand this, he does not accept it. Raphael is a strong, beautiful and supremely complex man and a perfect counterpart to Victoria's rule-abiding, open minded self. Together the main characters make the story come alive. The threats, the insecurities, the mystery that surrounds Kay and its blood-colored water is enthralling and well worth the journey.


Walt Disney Pictures presents EIGHT! BELOW, the thrilling tale of incredible friendship between eight amazing sled dogs and their guide Jerry (Paul Walker). Stranded in Antarctica during the most unforgiving winter on the planet, Jerry's beloved sled dogs must learn to survive together until Jerry â€" who will stop at nothing -- rescues them. Driven by unwavering bonds of friendship, enormous belief in one another, and tremendous courage, Jerry and the dogs make an incredible journey to reunite in this triumphant and inspiring action-adventure the whole family will treasure.Despite a likable cast of humans, it's the canine stars who steal the show in Eight Below, a terrific live-action adventure in the time-honored Disney tradition. Based on a true story that was previously filmed (much differently) as the 1983 Japanese hit Antarctica, this above-average family film takes place in 1993 and focuses on a dog-sled guide at an Antarctic research station (Paul Walker) who is forced by a severe storm ! to abandon eight beloved sled dogs for the duration of a harsh! Antarct ic winter. Left to fend for themselves, the rugged and resourceful dogs encounter danger at every turn, surviving for nearly six months while Walker and his closest colleagues (engagingly played by Bruce Greenwood, Moon Bloodgood, and American Pie's Jason Biggs) join forces to mount a daring rescue mission. Having endured similarly extreme conditions on his 1993 film Alive, director Frank Marshall brings an abundance of natural splendor (and minimum use of digital wizardry) to spectacularly arctic locations in Norway, Greenland and Canada, and Walker (star of The Fast and the Furious) lends an amiable sincerity to his compassionate role. For most viewers, however, it's the remarkable dogs (six Siberian huskies and two malamutes) who make Eight Below so thoroughly entertaining. It's not quite an instant family classic, but it comes pretty doggone close. --Jeff Shannon

Enemy of the State

• TESTED

Hot Hollywood favorite Will Smith (MEN IN BLACK, INDEPENDENCE DAY) stars with Academy Award(R)-winner Gene Hackman (Best Actor, 1971, THE FRENCH CONNECTION) in a high-powered suspense thriller where nonstop action meets cutting-edge technology! Robert Clayton Dean (Smith) is a successful Washington, D.C., attorney who -- without his knowledge -- is given a video that ties a top official of the National Security Agency (Oscar(R)-winner Jon Voight, Best Actor, 1978, COMING HOME) to a political murder! Instantly, every aspect of Dean's once-normal life is targeted by a lethal team of skilled NSA surveillance operatives who wage a relentless, ultra-high-tech campaign to discredit him and retrieve the incriminating evidence! Also featuring Regina King (JERRY MAGUIRE, BOYZ N THE HOOD) in an impressive, star-studded cast -- get ready for the action to explode as Dean desperately races to recl! aim his life and prove his innocence before it's too late!Robert Clayton Dean (Will Smith) is a lawyer with a wife and family whose happily normal life is turned upside down after a chance meeting with a college buddy (Jason Lee) at a lingerie shop. Unbeknownst to the lawyer, he's just been burdened with a videotape of a congressman's assassination. Hot on the tail of this tape is a ruthless group of National Security Agents commanded by a belligerently ambitious fed named Reynolds (Jon Voight). Using surveillance from satellites, bugs, and other sophisticated snooping devices, the NSA infiltrates every facet of Dean's existence, tracing each physical and digital footprint he leaves. Driven by acute paranoia, Dean enlists the help of a clandestine former NSA operative named Brill (Gene Hackman), and Enemy of the State kicks into high-intensity hyperdrive.

Teaming up once again with producer Jerry Bruckheimer, Top Gun director Tony Scott demonstrates his gl! ossy style with clever cinematography and breakneck pacing. Wi! ll Smith proves that there's more to his success than a brash sense of humor, giving a versatile performance that plausibly illustrates a man cracking under the strain of paranoid turmoil. Hackman steals the show by essentially reprising his role from The Conversation--just imagine his memorable character Harry Caul some 20 years later. Most of all, the film's depiction of high-tech surveillance is highly convincing and dramatically compelling, making this a cautionary tale with more substance than you'd normally expect from a Scott-Bruckheimer action extravaganza. --Jeremy StoreyRobert Clayton Dean (Will Smith) is a lawyer with a wife and family whose happily normal life is turned upside down after a chance meeting with a college buddy (Jason Lee) at a lingerie shop. Unbeknownst to the lawyer, he's just been burdened with a videotape of a congressman's assassination. Hot on the tail of this tape is a ruthless group of National Security Agents commanded by a belligeren! tly ambitious fed named Reynolds (Jon Voight). Using surveillance from satellites, bugs, and other sophisticated snooping devices, the NSA infiltrates every facet of Dean's existence, tracing each physical and digital footprint he leaves. Driven by acute paranoia, Dean enlists the help of a clandestine former NSA operative named Brill (Gene Hackman), and Enemy of the State kicks into high-intensity hyperdrive.

Teaming up once again with producer Jerry Bruckheimer, Top Gun director Tony Scott demonstrates his glossy style with clever cinematography and breakneck pacing. Will Smith proves that there's more to his success than a brash sense of humor, giving a versatile performance that plausibly illustrates a man cracking under the strain of paranoid turmoil. Hackman steals the show by essentially reprising his role from The Conversation--just imagine his memorable character Harry Caul some 20 years later. Most of all, the film's depiction of hi! gh-tech surveillance is highly convincing and dramatically com! pelling, making this a cautionary tale with more substance than you'd normally expect from a Scott-Bruckheimer action extravaganza. --Jeremy Storey