Sunday, January 8, 2012

Four Film Favorites: Final Destination Collection (Final Destination / Final Destination 2 / Final Destination 3 / The Final Destination)

  • FINAL DESTINATIONAfter an eerie premonition leads a handful of passengers to disembark an ill-fated flight, Death with all its ingenious contraptions of doom at the ready stalks those survivors (Devon Sawa, Ali Larter, Kerr Smith and more) one by one in the gory, gleeful shocker that launched the fright-filled film series. Final Destination: the start of it all! INCLUDES: Widescreen Version [16x9
Death is just as omnipresent as ever, and in Final Destination 5 it strikes again. During the bus ride to a corporate retreat, Sam (Nicholas D’Agosto) has a premonition in which he and most of his friends â€" as well as numerous others â€" die in a horrific bridge collapse. When his vision ends, events begin to mirror what he had seen, and he frantically ushers as many of his colleagues â€" including his friend, Peter (Miles Fisher), and girlfriend, Molly (Emma Bell) â€" away from the disast! er before Death can claim them. But these unsuspecting souls were never supposed to survive, and in a terrifying race against time, the ill-fated group tries to discover a way to escape Death’s sinister agenda. Moviedom's most fatalistic franchise returns in efficient form in Final Destination 5, an installment that goes for broke in its big opening set piece. This time the initial disaster happens on a suspension bridge that turns out to be all too vulnerable to high winds and an over-aggressive repair project. The employees of Presage Plus (ha ha) are in a bus crossing the span when Sam (Nicholas D'Agosto) pre-envisions the bloody disaster to come; panicked, he urges his friends to scamper off the bridge just in time to avoid the collapse. You know what comes next: the survivors face certain death as Fate demands its deferred payment, and a coroner (Tony Todd, thankfully returning to the series) intones dark wisdom about the price that must be paid. Director Stev! en Quale understands that the audience expects the horrifyingl! y convol uted deaths of the previous pictures; each new demise is like the result of a crowd at an improv theater shouting out different ideas to weave together (hmm, what can we do with a leaky air conditioner, a loose screw, and a set of uneven parallel bars?). The results--shot for 3-D release, no less--will not disappoint die-hard fans, and even the actors are bearable this time around: D'Agosto, from the underrated Fired Up!, pairs nicely with Emma Bell, P.J. Byrne gets off a few unctuous one-liners, and David Koechner does his clueless jerk routine as the Presage Plus boss from hell. The final sequence, while not making any sense according to the rules we've been watching, does tie up the entire series in a neat bow. Until the next sequel, anyway. --Robert HortonDeath is just as omnipresent as ever, and in Final Destination 5 it strikes again. During the bus ride to a corporate retreat, Sam (Nicholas D’Agosto) has a premonition in which he and most of his! friends â€" as well as numerous others â€" die in a horrific bridge collapse. When his vision ends, events begin to mirror what he had seen, and he frantically ushers as many of his colleagues â€" including his friend, Peter (Miles Fisher), and girlfriend, Molly (Emma Bell) â€" away from the disaster before Death can claim them. But these unsuspecting souls were never supposed to survive, and in a terrifying race against time, the ill-fated group tries to discover a way to escape Death’s sinister agenda. Moviedom's most fatalistic franchise returns in efficient form in Final Destination 5, an installment that goes for broke in its big opening set piece. This time the initial disaster happens on a suspension bridge that turns out to be all too vulnerable to high winds and an over-aggressive repair project. The employees of Presage Plus (ha ha) are in a bus crossing the span when Sam (Nicholas D'Agosto) pre-envisions the bloody disaster to come; panicked, he urges h! is friends to scamper off the bridge just in time to avoid the! collaps e. You know what comes next: the survivors face certain death as Fate demands its deferred payment, and a coroner (Tony Todd, thankfully returning to the series) intones dark wisdom about the price that must be paid. Director Steven Quale understands that the audience expects the horrifyingly convoluted deaths of the previous pictures; each new demise is like the result of a crowd at an improv theater shouting out different ideas to weave together (hmm, what can we do with a leaky air conditioner, a loose screw, and a set of uneven parallel bars?). The results--shot for 3-D release, no less--will not disappoint die-hard fans, and even the actors are bearable this time around: D'Agosto, from the underrated Fired Up!, pairs nicely with Emma Bell, P.J. Byrne gets off a few unctuous one-liners, and David Koechner does his clueless jerk routine as the Presage Plus boss from hell. The final sequence, while not making any sense according to the rules we've been watching, doe! s tie up the entire series in a neat bow. Until the next sequel, anyway. --Robert HortonDeath is just as omnipresent as ever, and in Final Destination 5 it strikes again. During the bus ride to a corporate retreat, Sam (Nicholas D’Agosto) has a premonition in which he and most of his friends â€" as well as numerous others â€" die in a horrific bridge collapse. When his vision ends, events begin to mirror what he had seen, and he frantically ushers as many of his colleagues â€" including his friend, Peter (Miles Fisher), and girlfriend, Molly (Emma Bell) â€" away from the disaster before Death can claim them. But these unsuspecting souls were never supposed to survive, and in a terrifying race against time, the ill-fated group tries to discover a way to escape Death’s sinister agenda. Moviedom's most fatalistic franchise returns in efficient form in Final Destination 5, an installment that goes for broke in its big opening set piece. This time the in! itial disaster happens on a suspension bridge that turns out t! o be all too vulnerable to high winds and an over-aggressive repair project. The employees of Presage Plus (ha ha) are in a bus crossing the span when Sam (Nicholas D'Agosto) pre-envisions the bloody disaster to come; panicked, he urges his friends to scamper off the bridge just in time to avoid the collapse. You know what comes next: the survivors face certain death as Fate demands its deferred payment, and a coroner (Tony Todd, thankfully returning to the series) intones dark wisdom about the price that must be paid. Director Steven Quale understands that the audience expects the horrifyingly convoluted deaths of the previous pictures; each new demise is like the result of a crowd at an improv theater shouting out different ideas to weave together (hmm, what can we do with a leaky air conditioner, a loose screw, and a set of uneven parallel bars?). The results--shot for 3-D release, no less--will not disappoint die-hard fans, and even the actors are bearable this time around: D'Ag! osto, from the underrated Fired Up!, pairs nicely with Emma Bell, P.J. Byrne gets off a few unctuous one-liners, and David Koechner does his clueless jerk routine as the Presage Plus boss from hell. The final sequence, while not making any sense according to the rules we've been watching, does tie up the entire series in a neat bow. Until the next sequel, anyway. --Robert HortonFinal Destination, Final Destination 2, Final Destination 3, and The Final Destination (2009) FINAL DESTINATION INCLUDES: • Widescreen Version [16x9 1.85:1] • Director/Writers/Editor Commentary • Cast Commentary • 5.1 Isolated Score Audio Track with Commentary by Composer Shirley Walker • Additional Scenes and Alternate Endings • 2 Featurettes: Test Screenings and Premonitions • 2 Games: Death Clock and Psychic Test • Theatrical Trailer • Subtitles: English (Main Feature.Bonus Material/Trailer May Not Be Subtitled.). FINAL DESTINATION 2 INCLUDES: • Widescreen Version! [16x9 1.85:1] • Director/Producer/Screenwriters Commentary ! • Dele ted/Alternate Scenes • Selectable Fact Track with Intriguing Making-of Factoids â€" All As You Watch the Movie • 3 Featurettes The Terror Gauge, Cheating Death: Beyond and Back and Bits & Pieces: Bringing Death to Life • Theatrical Trailer • Subtitles: English (Main Feature.Bonus Material/Trailer May Not Be Subtitled.). FINAL DESTINATION 3 INCLUDES: • Widescreen Version [16x9 2.4:1] • Enjoy 2 Editions of the Film: Original Theatrical Movie and the Choose Their Fate! Version Where You Control the Characters’ Outcomes • Director/Writers/Cinematographer Commentary • Subtitles: English & Español (Main Feature.Bonus Material/Trailer May Not Be Subtitled.). THE FINAL DESTINATION INCLUDES: • Widescreen Version [16x9 2.4:1] • Additional Scenes • Subtitles: English & Español (Main Feature. Bonus Material/Trailer May Not Be Subtitled).

Saturday, January 7, 2012

Beautiful Creatures (Beautiful Creatures, Book 1)

  • ISBN13: 9780316077033
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Lena Duchannes is unlike anyone the small Southern town of Gatlin has ever seen, and she's struggling to conceal her power, and a curse that has haunted her family for generations. But even within the overgrown gardens, murky swamps and crumbling graveyards of the forgotten South, a secret cannot stay hidden forever.

Ethan Wate, who has been counting the months until he can escape from Gatlin, is haunted by dreams of a beautiful girl he has never met. When Lena moves into the town's oldest and most infamous plantation, Ethan is inexplicably drawn to her and determined to uncover the connection bet! ween them.

In a town with no surprises, one secret could change everything.Ethan Wate is struggling to hide his apathy for his high school "in" crowd in small town Gatlin, South Carolina, until he meets the determinedly "out" Lena Duchannes, the girl of his dreams (literally--she has been in his nightmares for months). What follows is a smart, modern fantasy--a tale of star-crossed lovers and a dark, dangerous secret. Beautiful Creatures is a delicious southern Gothic that charms you from the first page, drawing you into a dark world of magic and mystery until you emerge gasping and blinking, wondering what happened to the last few hours (and how many more you're willing to give up). To tell too much of the plot would spoil the thrill of discovery, and believe me, you will want to uncover the secrets of this richly imagined dark fantasy on your own. --Daphne Durham

Amazon Exclusive Interview with Kami Garcia an! d Margaret Stohl, Authors of Beautiful Creatures < /strong>

What does your writing process look like? Is it tough to write a book together? Did you ever have any knock-down drag-out fights over a plot point or character trait?

Margie: The best way to describe our writing process is like a running stitch. We don't write separate chapters, or characters. We pass the draft back and forth constantly, and we actually write over each other's work, until we get to the point where we truly don't know who has written what.

Kami: By the end of the book, we don't even know. The classic example is when I said, "Marg, I really hate that line. It has to go." And she said, "Cut it. You wrote it."

Margie: I think we were friends for so long before we were writing partners that there was an unusual amount of trust fr! om the start.

Kami: It's about respect. And it helps that we can't remember when who wrote the bad line.

Margie: We save our big fights for the important things, like the lack of ice in my house or how cold our office is. And why none of my YouTube videos are as popular as the one of Kami's three-fingered typing…okay, that one is understandable, given the page count for "Beautiful Creatures."

Kami: What can I say? I was saving the other seven fingers for the sequel.

What kinds of books do you like to read?

Kami: I read almost exclusively Young Adult fiction, with some Middle Grade fiction thrown in for good measure. As a Reading Specialist, I work with children and teens in grades K-12, so basically I read what they read.

Margie: When I write it comes from the same place as when I read: wanting to hang out with fictional characters in fictional worlds. I identify more as a reader than a writer; I ! just have to write it first so I can read it.

! Wha t books/authors have inspired you?

Kami: "To Kill a Mockingbird" by Harper Lee, "A Good Man is Hard to Find & Other Stories" by Flannery O'Connor, "Fahrenheit 451" by Ray Bradbury and "The Witching Hour" by Anne Rice. I also love Pablo Neruda.

Margie: I think Harper Lee is the greatest writer alive today. Eudora Welty is my other Southern writer kindred; I was obsessed with her in grad school. Susan Cooper and Diana Wynne Jones made me love fantasy, and my favorite poets are Emily Dickinson (at Amherst College, I even lived on her street) and Stevie Smith.

Did you set out to write fiction for young adults? Why?

Kami: We actually wrote "Beautiful Creatures" on a dare from some of the teen readers in our lives.

Margie: Not so much readers as bosses.

Kami: Looking back, we wrote it sort of like the serialized fiction of Charles Dickens, turning in pages to our teen readers every week.

Margi! e: And by week she means day.

Kami: When we were getting texts in the middle of the night from teens demanding more pages, we knew we had to finish.

Margie: As it says in our acknowledgements, their asking what happened next changed what happened next. Teens are so authentic. That's probably why we love YA. Even when it's fantasy, it's the emotional truth.

A lot of us voracious readers like to cast a book after reading it. Did you guys have a shared view of who your characters are? Did each of you take a different character to develop, or did you share every aspect?

Kami: We've never cast our characters, but we definitely know what they look like. Sometimes we see actors in magazines and say, "Lena just wore that!"

Margie: We create all our characters together, but after a point they became as real as any of the other people we know. We forget they're not.

Kami: I never thought of it like t! hat. I guess we do spend all our time talking about imaginary ! people. Margie: So long as it's not to them…

Did you always plan to start the book with Ethan's story? Why?

Kami: We knew before we started that we wanted to write from a boy's point of view. Margie and I both have brothersâ€"-six, between us-â€"so it wasn't a stretch. It's an interesting experience to fall in love with the guy telling the story rather than the guy the story is about.

Margie: We do kind of love Ethan, so we wanted there to be more to him than just the boy from boy meets girl.

Kami: He's the guy who stands by you at all costs and accepts you for who you are, even if you aren't quite sure who that is.

What is on your nightstand now?

Kami: I have a huge stack, but here are ones at the top: "Mama Dip's Kitchen," a cookbook by Mildred Council, "The Demon's Lexicon" by Sarah Rees Brennan, "Shadowed Summer" by Saundra Mitchell, "Rampant" by Diana Peterfreund, and an Advanced Reader Copy of ! "Sisters Red" by Jackson Pearce.

Margie: I have Robin McKinley's "Beauty," Maggie Stiefvater's "Ballad," Kristen Cashore's "Fire," Libba Bray's "Going Bovine," and "Everything Is Fine" by AnnDee Ellis. And now I'm mad because I know a) Kami stole my "Rampant" and b) didn't tell me she has "Sisters Red"!

What is your idea of comfort reading?

Kami: If given the choice, I'll always reach for a paranormal romance or an urban fantasy. I also re-read my favorite books over and over.

Margie: It's all comfort reading to me. I sleep with books in my bed. Like a dog, only without the shedding and the smelling.

Have you written the next book already? What's next for Lena and Ethan?

Margie: We are revising the next book now. I don't want to give too much away, but summer in Gatlin isn't always a vacation.

Kami: I would describe book two as intense and emotional. For Ethan and Lena, the stakes are even ! higher.

Margie: That's true. Book two involves tru! e love, broken hearts, the Seventeenth Moon, and cream-of-grief casseroles…

Kami: Gatlin at it's finest!


Friday, January 6, 2012

Afterschool

All About My Mother

  • Widescreen
  • Exclusive Interview with director Pedro Almodovar
  • Subtitles in English and French
  • Director's production notes
  • Talent files
A single mother in Madrid sees her only son die on his 17th birthday as he runs to seek an actress's autograph. She goes to Barcelona to find the lad's father, a transvestite named Lola who does not know he has a child. First she finds her friend, Agrado, also a transvestite; through him she meets Rosa, a young nun bound for El Salvador, and by happenstance becomes the personal assistant of Huma Rojo, the actress her son admired. She helps Huma manage Nina, the co-star and Huma's lover, and she becomes Rosa's caretaker during a dicey pregnancy. With echoes of Lorca, All About Eve, and A Streetcar Named Desire, the mothers (and fathers and actors) live out grief, love, and friendship.After her son is killed in an acc! ident, Manuela (Cecilia Roth) leaves Madrid for her old haunts in Barcelona. She reconnects with an old friend, a pre-op transsexual prostitute named La Agrado (Antonia San Juan), who introduces her to Rosa (Penélope Cruz), a young nun who turns out to be pregnant. Meanwhile, Manuela becomes a personal assistant for Huma Rojo (Marisa Paredes), an actress currently playing Blanche DuBois in a production of A Streetcar Named Desire. All About My Mother traces the delicate web of friendship and loss that binds these women together. The movie is dedicated to the actresses of the world, so it's not surprising that all the performances are superb. Roth in particular anchors All About My Mother with compassion and generosity. But fans of writer-director Pedro Almodóvar needn't fret--as always, Almodóvar's work undermines conventional notions of sexual identity and embraces all human possibilities with bright colors and melodramatic plotting. However, A! ll About My Mother approaches its twists and turns with a ! broader emotional scope than most of Almodóvar's work; even the more extravagant aspects of the story are presented quietly, to allow the sadness of life to be as present as the irrepressible vitality of the characters. Almodóvar embraces pettiness, jealousy, and grief as much as kindness, courage, and outrageousness, and the movie is the richer for it. --Bret FetzerAfter her son is killed in an accident, Manuela (Cecilia Roth) leaves Madrid for her old haunts in Barcelona. She reconnects with an old friend, a pre-op transsexual prostitute named La Agrado (Antonia San Juan), who introduces her to Rosa (Penélope Cruz), a young nun who turns out to be pregnant. Meanwhile, Manuela becomes a personal assistant for Huma Rojo (Marisa Paredes), an actress currently playing Blanche DuBois in a production of A Streetcar Named Desire. All About My Mother traces the delicate web of friendship and loss that binds these women together. The movie is dedicated to the actres! ses of the world, so it's not surprising that all the performances are superb. Roth in particular anchors All About My Mother with compassion and generosity. But fans of writer-director Pedro Almodóvar needn't fret--as always, Almodóvar's work undermines conventional notions of sexual identity and embraces all human possibilities with bright colors and melodramatic plotting. However, All About My Mother approaches its twists and turns with a broader emotional scope than most of Almodóvar's work; even the more extravagant aspects of the story are presented quietly, to allow the sadness of life to be as present as the irrepressible vitality of the characters. Almodóvar embraces pettiness, jealousy, and grief as much as kindness, courage, and outrageousness, and the movie is the richer for it. --Bret Fetzer

Monday, January 2, 2012

Girls Life Application Study Bible NLT (Kid's Life Application Bible)

  • ISBN13: 9781414306469
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

A compassionate, humorous story of faith, betrayal, and coming of age on the evangelical sawdust trail.

She was just three years old when her mother signed on as the organist of tent revivalist David Terrell, and before long, Donna Johnson was part of the hugely popular evangelical preacher's inner circle. At seventeen, she left the ministry for good, with a trove of stranger-than-fiction memories. A homecoming like no other, Holy Ghost Girl brings to life miracles, exorcisms, and faceoffs with the Ku Klux Klan. And that's just what went on under the tent.

As Terrell became known worldwide during the 1960s and '70s, the caravan of broken-down cars and trucks that made! up his ministry evolved into fleets of Mercedes and airplanes. The glories of the Word mixed with betrayals of the flesh and Donna's mother bore Terrell's children in one of the several secret households he maintained. Thousands of followers, dubbed "Terrellites" by the press, left their homes to await the end of the world in cultlike communities. Jesus didn't show, but the IRS did, and the prophet/healer went to prison.

Recounted with deadpan observations and surreal detail, Holy Ghost Girl bypasses easy judgment to articulate a rich world in which the mystery of faith and human frailty share a surprising and humorous coexistence.

Donna Johnson's remarkable story of being raised under the biggest gospel tent in the world, by David Terrell, one of the most famous evangelical ministers of the 1960s and 70s. Holy Ghost Girl is a compassionate, humorous exploration of faith, betrayal, and coming of age on the sawdust trail.

She was! just three years old when her mother signed on as the organis! t of ten t revivalist David Terrell, and before long, Donna Johnson was part of the hugely popular evangelical preacher's inner circle. At seventeen, she left the ministry for good, with a trove of stranger- than-fiction memories. A homecoming like no other, Holy Ghost Girl brings to life miracles, exorcisms, and faceoffs with the Ku Klux Klan. And that's just what went on under the tent.

As Terrell became known worldwide during the 1960s and '70s, the caravan of broken-down cars and trucks that made up his ministry evolved into fleets of Mercedes and airplanes. The glories of the Word mixed with betrayals of the flesh and Donna's mother bore Terrell's children in one of the several secret households he maintained. Thousands of followers, dubbed Terrellites" by the press, left their homes to await the end of the world in cultlike communities. Jesus didn't show, but the IRS did, and the prophet/healer went to prison.

Recounted with deadpan observations and sur! real detail, Holy Ghost Girl bypasses easy judgment to articulate a rich world in which the mystery of faith and human frailty share a surprising and humorous coexistence.

" Donna Johnson's remarkable story of being raised under the biggest gospel tent in the world, by David Terrell, one of the most famous evangelical ministers of the 1960s and 70s. Holy Ghost Girl is a compassionate, humorous exploration of faith, betrayal, and coming of age on the sawdust trail.

She was just three years old when her mother signed on as the organist of tent revivalist David Terrell, and before long, Donna Johnson was part of the hugely popular evangelical preacher's inner circle. At seventeen, she left the ministry for good, with a trove of stranger- than-fiction memories. A homecoming like no other, Holy Ghost Girl brings to life miracles, exorcisms, and faceoffs with the Ku Klux Klan. And that's just what went on under the tent.

As Te! rrell became known worldwide during the 1960s and '70s, the ca! ravan of broken-down cars and trucks that made up his ministry evolved into fleets of Mercedes and airplanes. The glories of the Word mixed with betrayals of the flesh and Donna's mother bore Terrell's children in one of the several secret households he maintained. Thousands of followers, dubbed Terrellites" by the press, left their homes to await the end of the world in cultlike communities. Jesus didn't show, but the IRS did, and the prophet/healer went to prison.

Recounted with deadpan observations and surreal detail, Holy Ghost Girl bypasses easy judgment to articulate a rich world in which the mystery of faith and human frailty share a surprising and humorous coexistence.

"Girls return with their long awaited second full-length. More spontaneous and stripped-down than either their self-made debut or their lush EP, Father, Son, Holy Ghost is a gorgeous, largely minor-key record, enlivened by flashes of innocent pop and given depth by its wealth of i! nfluences and willingness to face sadness.Girls return with their long awaited second full-length. More spontaneous and stripped-down than either their self-made debut or their lush EP, Father, Son, Holy Ghost is a gorgeous, largely minor-key record, enlivened by flashes of innocent pop and given depth by its wealth of influences and willingness to face sadness.This fun, fresh Bible, created especially for girls ages 8 to 12, presents God's Word in a meaningful way that helps them grow strong in their faith. Special features address issues girls and boys are facing at this age related directly to the experiences of living and growing up. There are many special features, including profiles of women in the Bible, character dilemmas (“How should I respond in this situation?”), answers to hot issues of the day, andâ€"on the lighter sideâ€"some accounts of embarrassing stories that have happened to boys and girls at this age.

Features:

  • Age-appropria! te notes.
  • Attractive cover designs.
  • 16 pages of full! -color i llustrations about Bible-time daily life and customs.
  • Presentation page.
  • 1 year Greatest Stories reading plan.
  • Quick Answers topical index.
  • At-a-Glanceâ€"A first-person narration by women of the Bible about their own experiences and lessons learned.
  • What Now?â€"Authentic, third-person scenarios in a conversational format designed to challenge readers to make their own decision about a real-life situation, pointing to Scripture for answers.
  • I Survived!â€"Personal stories of how older teens handled situations tweens are currently facing.
  • I'm Not the Only One!â€"Gives a lighter perspective on embarrassing situations.
  • Is It OK?â€"A reality check on what the Bible has to say about questions that are really on kids' minds.
  • Amazing Factsâ€"Interesting tidbits of Bible information designed to hook readers to Scripture.
  • Memory verses, charts, maps, book introductions, Plan of Salvation, and how to Read the Bible.

Saturday, December 31, 2011

Bright Young Things

  • Based on the novel, Vile Bodies by Evelyn Waugh, Bright Young Things is a look at the uppercrust British society during the frenzied 1930s. The story follows the lives of a group of young socialites also known as the "Bright Young Things."Running Time: 105 min. Format: DVD MOVIE Genre: COMEDY Rating: R Age: 794043779022 UPC: 794043779022 Manufacturer No: N7790

For the bright young things of 1929, the beautiful days seem endless, filled with romance and heartbreak, adventure and intrigue, friendship and rivalry.

After a month in New York, Cordelia Grey and Letty Larkspur are small-town girls no longer. They spend their afternoons with Astrid Donal at the Greys’ lush Long Island estate and their nights in Manhattan’s bustling metropolis. But Letty’s not content to be a mere socialite. She is ready at last to chase her Broadway dreamsâ€"no matter the cost.

Cordel! ia is still reeling from the death of her father at the hands of Thom Hale, the man she thought she loved. Now she is set to honor Darius Grey’s legacy . . . and take her revenge.

Promised to Cordelia’s half brother, Astrid is caught up in a world of dazzling jewels and glittering nightsâ€"and the sparkle is blinding. Charlie Grey is a gangster playing a dangerous game; and for Astrid, Cordelia, and Letty, the stakes could be deadly.

From the New York Times bestselling author of The Luxe comes the second book in an epic series set in the dizzying last summer of the Jazz Age.

The year is 1929. New York is ruled by the Bright Young Things: flappers and socialites seeking thrills and chasing dreams in the anything-goes era of the Roaring Twenties.

Letty Larkspur and Cordelia Grey escaped their small Midwestern town for New York's glittering metropolis. All Letty wants is to see her name in lights, ! but she quickly discovers Manhattan is filled with pretty girl! s who wi ll do anything to be a star. . . .

Cordelia is searching for the father she's never known, a man as infamous for his wild parties as he is for his shadowy schemes. Overnight, she enters a world more thrilling and glamorous than she ever could have imaginedâ€"and more dangerous. It's a life anyone would kill for . . . and someone will.

The only person Cordelia can trust is ­Astrid Donal, a flapper who seems to have it all: money, looks, and the love of Cordelia's brother, Charlie. But Astrid's perfect veneer hides a score of family secrets.

Across the vast lawns of Long Island, in the ­illicit speakeasies of Manhattan, and on the blindingly lit stages of Broadway, the three girls' fortunes will rise and fallâ€"together and apart. From the New York Times bestselling author of The Luxe comes an epic new series set in the dizzying last summer of the Jazz Age.

The year is 1929. New York is ruled by the Bright Young Things: fla! ppers and socialites seeking thrills and chasing dreams in the anything-goes era of the Roaring Twenties.

Letty Larkspur and Cordelia Grey escaped their small Midwestern town for New York's glittering metropolis. All Letty wants is to see her name in lights, but she quickly discovers Manhattan is filled with pretty girls who will do anything to be a star…

Cordelia is searching for the father she's never known, a man as infamous for his wild parties as he is for his shadowy schemes. Overnight, she enters a world more thrilling and glamorous than she ever could have imaginedâ€"and more dangerous. It's a life anyone would kill for . . . and someone will.

The only person Cordelia can trust is Astrid Donal, a flapper who seems to have it all: money, looks, and the love of Cordelia's brother, Charlie. But Astrid's perfect veneer hides a score of family secrets.

Across the vast lawns of Long Island, in the illicit speakeasies of Manhattan,! and on the blindingly lit stages of Broadway, the three girls! ' fortun es will rise and fallâ€"together and apart. From the New York Times bestselling author of The Luxe comes an epic new series set in the dizzying last summer of the Jazz Age.



Anna Godberson’s Playlist
Anna Godberson
Bright Young Things
may take place during the Jazz Age, but author Anna Godberson shows us that the tunes she prefers range from Cat Power to Prince. Check out what she loves and why. (Click on the song name to listen to a sample)




"River Deep â€" Mountain High" by Ike & Tina Turner

I spend a lot of time in a chair in front of my computer obsessively reworkin! g sentences. This song is ecstatic and full of life and whenever I hear it I want to get up and move.

"Lived in Bars" by Cat Power
This song sounds to me like the wise, sad, tired, wired, voice of experience, the kind of beauty that you can only see after you’ve been worn down. That’s what Bright Young Things is all about.

"You Said Something" by PJ Harvey
This one is like an exquisite New Yorker story, perfect in its simplicity and specificity but universal in what it expresses.

"California" by Joni Mitchell
That’s where I’m from, and this is the soundtrack of my homesickness. Plus, the lyrics are literary and whip-smart and impossible for a California girl to forget.

"Go West" by Liz Phair!
People like to make fun of Liz Pha! ir these days, but her voice was the voice of my young womanhood, and “Go West” was the anthem of all to-hell-with-men, bridge-burning episodes.

"Love Me Like A Man" by Bonnie Raitt
The title says it all, and it just gets better from there.

"Tell It Like It Is" by Etta James
Awesome plea for romantic decency, but in that raw, lusty, commanding voice. After at least four thousand listens, I still nod along like the first time.

"You Only Live Once" by The Strokes
Not to date myself, but around the time I graduated from college, this was the coolest band to mock. Who cares? In my opinion, this is the ultimate jogging song.

"I Could Never Take the Place of Your Man" by Prince
This is also an instant dan! ce party number for meâ€"is anyone as weird and cool as Prince?

"God" by John Lennon
To me, this is the ultimate expression of an artist’s belief in self. There is something bleak, but also really clear-eyed and uplifting about. Plus, it’s gorgeous.

"Bring It On Home to Me" by Sam Cooke
If I could curl up in Sam Cooke’s voice and sleep forever, I’d do it. This one is just so desperate and romantic and it sounds just like what it means.

"Like A Rolling Stone" by Bob Dylan
My parents were hippies, and I grew up in the Church Of Dylan. For a guaranteed good time, get on the freeway, roll the window down, step on the gas, and turn the volume up on this number. Please be prepared to sing along.



Who set's today's new tren! ds? At the beginning of a new millennium, who is it that defi! nes what is fashionable, who has the true will to create, who knows how to make glamour a lifestyle? Bright Young Things introduces us to some of the most prominent members of America's younger generation, the high-flyers who set the style, pace and attitudes of their time such as Alexandra and Alexandre von Furstenberg, Aerin Lauder and Eric Zinterhofer, Damian Loeb, Moby, Marina Rust, Andrew Lauren, Serena Altschul, to name a few. And what makes this young, dynamic, styleish group quite interesting, visible and somewhat powerful, is that they are all extremely accomplished individuals in their personal lives, as well as being very accomplished leaders in their relative fields - business, arts, literature, music, movie production, fashion designing, etc. We discover their house, interior and the lives they lead. With contributions by Bill Blass, Brooke Astor, Oscar de la Renta, Diane von Furstenberg, Anh Duong, Carolina Herrera, among others.

For the bright young things of ! 1929, the beautiful days seem endless, filled with romance and heartbreak, adventure and intrigue, friendship and rivalry.

After a month in New York, Cordelia Grey and Letty Larkspur are small-town girls no longer. They spend their afternoons with Astrid Donal at the Greys’ lush Long Island estate and their nights in Manhattan’s bustling metropolis. But Letty’s not content to be a mere socialite. She is ready at last to chase her Broadway dreamsâ€"no matter the cost.

Cordelia is still reeling from the death of her father at the hands of Thom Hale, the man she thought she loved. Now she is set to honor Darius Grey’s legacy . . . and take her revenge.

Promised to Cordelia’s half brother, Astrid is caught up in a world of dazzling jewels and glittering nightsâ€"and the sparkle is blinding. Charlie Grey is a gangster playing a dangerous game; and for Astrid, Cordelia, and Letty, the stakes could be deadly.

From the New York Times bestse! lling author of The Luxe comes the second book in an ep! ic serie s set in the dizzying last summer of the Jazz Age.

For the bright young things of 1929, the beautiful days seem endless, filled with romance and heartbreak, adventure and intrigue, friendship and rivalry.

After a month in New York, Cordelia Grey and Letty Larkspur are small-town girls no longer. They spend their afternoons with Astrid Donal at the Greys’ lush Long Island estate and their nights in Manhattan’s bustling metropolis. But Letty’s not content to be a mere socialite. She is ready at last to chase her Broadway dreamsâ€"no matter the cost.

Cordelia is still reeling from the death of her father at the hands of Thom Hale, the man she thought she loved. Now she is set to honor Darius Grey’s legacy . . . and take her revenge.

Promised to Cordelia’s half brother, Astrid is caught up in a world of dazzling jewels and glittering nightsâ€"and the sparkle is blinding. Charlie Grey is a gangster playing a dangerous game; and for Astrid, Corde! lia, and Letty, the stakes could be deadly.

From the New York Times bestselling author of The Luxe comes the second book in an epic series set in the dizzying last summer of the Jazz Age.

Bright young things required for big project...Six young people respond to the advert in The Times - all clever, all disaffected with their lives, all looking for an escape. What they least expect is to find themselves prisoners on an island, at the mercy of...who? Their needs are well provided for with a comfortable house and provisions but there's no telephone, no television and no way to escape. The bright young things have to start working out why they're there and how to get away before it's too late...

The year is 1929. New York is ruled by the Bright Young Things: flappers and socialites seeking thrills and chasing dreams in the anything-goes era of the Roaring Twenties.

Letty Larkspur and Cordelia Grey escaped their small Midw! estern town for New York's glittering metropolis. All Letty wa! nts is t o see her name in lights, but she quickly discovers Manhattan is filled with pretty girls who will do anything to be a star. . . .

Cordelia is searching for the father she's never known, a man as infamous for his wild parties as he is for his shadowy schemes. Overnight, she enters a world more thrilling and glamorous than she ever could have imaginedâ€"and more dangerous. It's a life anyone would kill for . . . and someone will.

The only person Cordelia can trust is ­Astrid Donal, a flapper who seems to have it all: money, looks, and the love of Cordelia's brother, Charlie. But Astrid's perfect veneer hides a score of family secrets.

Across the vast lawns of Long Island, in the ­illicit speakeasies of Manhattan, and on the blindingly lit stages of Broadway, the three girls' fortunes will rise and fallâ€"together and apart. From the New York Times bestselling author of The Luxe comes an epic new series set in the dizzying last summer o! f the Jazz Age.

The year is 1929. New York is ruled by the Bright Young Things: flappers and socialites seeking thrills and chasing dreams in the anything-goes era of the Roaring Twenties.

Letty Larkspur and Cordelia Grey escaped their small Midwestern town for New York's glittering metropolis. All Letty wants is to see her name in lights, but she quickly discovers Manhattan is filled with pretty girls who will do anything to be a star…

Cordelia is searching for the father she's never known, a man as infamous for his wild parties as he is for his shadowy schemes. Overnight, she enters a world more thrilling and glamorous than she ever could have imaginedâ€"and more dangerous. It's a life anyone would kill for . . . and someone will.

The only person Cordelia can trust is Astrid Donal, a flapper who seems to have it all: money, looks, and the love of Cordelia's brother, Charlie. But Astrid's perfect veneer hides a score of family secrets.

Across the vast lawns of Long Island, in the illicit s! peakeasi es of Manhattan, and on the blindingly lit stages of Broadway, the three girls' fortunes will rise and fallâ€"together and apart. From the New York Times bestselling author of The Luxe comes an epic new series set in the dizzying last summer of the Jazz Age.



Anna Godberson’s Playlist
Anna Godberson
Bright Young Things
may take place during the Jazz Age, but author Anna Godberson shows us that the tunes she prefers range from Cat Power to Prince. Check out what she loves and why. (Click on the song name to listen to a sample)




"River Deep â€" Mountain High" by Ike & Tina Turner

I spend a lot of time in a chair in front of my computer obsessively reworking sentences. This song is ecstatic and full of life and whenever I hear it I want to get up and move.

"Lived in Bars" by Cat Power
This song sounds to me like the wise, sad, tired, wired, voice of experience, the kind of beauty that you can only see after you’ve been worn down. That’s what Bright Young Things is all about.

"You Said Something" by PJ Harvey
This one is like an exquisite New Yorker story, perfect in its simplicity and specificity but universal in what it expresses.

"California" by Joni Mitchell
That’s where I’m from, and this is the soundtrack of my homesickness. Plus, the lyrics are literary and whip-smart and impossible for a Californ! ia girl to forget.

"Go We st" by Liz Phair
People like to make fun of Liz Phair these days, but her voice was the voice of my young womanhood, and “Go West” was the anthem of all to-hell-with-men, bridge-burning episodes.

"Love Me Like A Man" by Bonnie Raitt
The title says it all, and it just gets better from there.

"Tell It Like It Is" by Etta James
Awesome plea for romantic decency, but in that raw, lusty, commanding voice. After at least four thousand listens, I still nod along like the first time.

"You Only Live Once" by The Strokes
Not to date myself, but around the time I graduated from college, this was the coolest band to mock. Who cares? In my opinion, this is the ultimate jogging song.

"I Could Never Take t! he Place of Your Man" by Prince
This is also an instant dance party number for meâ€"is anyone as weird and cool as Prince?

"God" by John Lennon
To me, this is the ultimate expression of an artist’s belief in self. There is something bleak, but also really clear-eyed and uplifting about. Plus, it’s gorgeous.

"Bring It On Home to Me" by Sam Cooke
If I could curl up in Sam Cooke’s voice and sleep forever, I’d do it. This one is just so desperate and romantic and it sounds just like what it means.

"Like A Rolling Stone" by Bob Dylan
My parents were hippies, and I grew up in the Church Of Dylan. For a guaranteed good time, get on the freeway, roll the window down, step on the gas, and turn the volume up on this number. Please be prep! ared to sing along.



The year is 1929. New York is ruled by the Bright Young Things: flappers and socialites seeking thrills and chasing dreams in the anything-goes era of the Roaring Twenties.

Letty Larkspur and Cordelia Grey escaped their small Midwestern town for New York's glittering metropolis. All Letty wants is to see her name in lights, but she quickly discovers Manhattan is filled with pretty girls who will do anything to be a star. . . .

Cordelia is searching for the father she's never known, a man as infamous for his wild parties as he is for his shadowy schemes. Overnight, she enters a world more thrilling and glamorous than she ever could have imaginedâ€"and more dangerous. It's a life anyone would kill for . . . and someone will.

The only person Cordelia can trust is ­Astrid Donal, a flapper who seems to have it all: money, looks, and the love of Cordelia's brother, Charlie. But Astrid's perfect veneer hides a score of family secrets.

!

Across the vast lawns of Long Island, in the ­illicit speakeasies of Manhattan, and on the blindingly lit stages of Broadway, the three girls' fortunes will rise and fallâ€"together and apart. From the New York Times bestselling author of The Luxe comes an epic new series set in the dizzying last summer of the Jazz Age.

Brooke de Ocampo invites us back into the homes of Bright Young Things, only this time she opens the doors to London's most stylish and enterprising trendsetters. Bright Young Things London is the highly anticipated follow-up to the successful New York edition. This lush, elegant book is an enthralling journey through the homes of the most envied and emulated residents of one of the world's most envied and emulated residents of one of the world's most exciting cities. Step inside the fabulous lives of 40 architects, artists, designers, and writers to discover why they embody everything London is known for: wit, cutting-edge style, and! glamour. Along with elegant photographs by Vanity Fair photo! grapher Jonathan Becker are intimate anecdotes written by the people who know these bright young things best: Claus von Bulow writes about his daughter Cosima; Ewan and Eve MacGregor rave about the home David Adjaye designed for them; Michael Kors fawns over his muse, Kim Hersov; and Paul Smith writes about Robert Violette. Bright Young Things London captures the spirit of the city while paying tribute to its international influences. It is just as addictive in London as it was in New York.Power . . . love . . . scandal . . .
There’s never enough to go around.
 
In the city that never sleeps, Lorraine Dyer is wide awake. Ever since she exposed Clara Knowles for the tramp she wasâ€"and lost her closest confidante in the processâ€"Lorraine has spent every second scheming to make her selfish, lovesick exâ€"best friend pay for what she did. No one crosses Lorraine. Not even Gloria.
 
True love conquers everythingâ€"or so Gloria Carmody crazily believ! ed. She and Jerome Johnson can barely scrape together cash for their rent, let alone have a moment to whisper sweet nothings in the dark. And if they thought escaping Chicago meant they’d get away with murder . . . they were dead wrong.
 
Clara was sure that once handsome, charming Marcus Eastman discovered her shameful secret, he’d drop her like a bad habit. Instead, he swept her off her feet and whisked her away to New York. Being with Marcus is a breath of fresh airâ€"and a chance for Clara to leave her wild flapper ways firmly in the past. Except the dazzling parties and bright lights won’t stop whispering her name. . . .

INGENUE is the second novel in the sexy, dangerous, and ridiculously romantic Flappers series set in the Roaring Twenties . . . where revenge is a dish best served cold."Some time in the past when things were much as they are now, only more so..." A satirical comedy as well as a love story, Bright Youngs Thing! s marks the the directoral debut of actor Stephen Fry. "Bright Young Things
," says Fry, "is a period film shot with modern pace and cinematography. It deals with fame, sexual scandal, greed, night-clubbing, and the frantic glamour of youth."

While the central plot of Bright Young Things is a romance, it is also a highly topical social comedy that shows a conservative older generation failing to understand the club culture, music, dance, and frenetic pace of its children, modern society at its most decadent and most colorful is fully on display as is the popular media fueled by gossip columnists and paparazzi who dominate a tabloid press propelled by rumor and scandal.

Disney / Pixar CARS 2 Movie Exclusive PVC 10Pack Deluxe Figurine Playset

Friday, December 30, 2011

Trilogy of Terror (Special Edition)

  • Legendary producer/director Dan Curtis (DARK SHADOWS, THE NIGHT STALKER) teams up with writers Richard Matheson (I AM LEGEND, THE TWILIGHT ZONE) and William F. Nolan (LOGAN S RUN, BURNT OFFERINGS) to present three tales of horrific suspense in this made-for-television anthology that also showcases the tremendous acting talent of Karen Black (FIVE EASY PIECES, THE DAY OF THE LOCUST), who plays four
Sally, a young girl, moves to Rhode Island to live with her father and his new girlfriend in the 19th-century mansion they are restoring. While exploring the house, Sally starts to hear voices coming from creatures in the basement whose hidden agenda is to claim her as one of their own.Fondly remembered for scaring the Tab out of impressionable viewers, 1973's television movie Don't Be Afraid of the Dark stands today as a minor classic of irrational dream-logic horror, with an ending that goe! s straight for the worst-case scenario. Despite (or perhaps because of) its wonky effects, minimalist character development, and snicker-worthy Freudisms, it knows how to linger into the wee small hours. Cowriter-producer Guillermo del Toro's mash note of a remake is a superior movie in virtually all aspects, really, yet it somehow fails to ping the same whimpering neurons. Director Troy Nixey's film follows the same basic blueprint as the source material--a fractured family (Guy Pearce, Katie Holmes, and Bailee Madison) moves into a dark old house, only to be tormented by a gaggle of tiny chatterbox demons--but with a much greater emphasis on the mythology and back story of the creatures. Del Toro has long proclaimed his love for the original movie, and it's rather fascinating to see the filmmaker attempt to shoehorn his own trademark obsessions (grim fairy-tale origins, spooky little girls, odd Lovecraftian angles, etc.) into the existing material. Still, such Gothic curl! icues, however nifty, ultimately end up diluting the solid-sta! te night mare fuel of the premise. Aside from a few solid shocks and a strong performance by Holmes, this heartfelt redo is unlikely to have the same lasting effect on audiences as the much cruder original. Instead of focusing on the hows and whys, that one just wanted to freak the viewer out. --Andrew WrightSally, a young girl, moves to Rhode Island to live with her father and his new girlfriend in the 19th-century mansion they are restoring. While exploring the house, Sally starts to hear voices coming from creatures in the basement whose hidden agenda is to claim her as one of their own.Fondly remembered for scaring the Tab out of impressionable viewers, 1973's television movie Don't Be Afraid of the Dark stands today as a minor classic of irrational dream-logic horror, with an ending that goes straight for the worst-case scenario. Despite (or perhaps because of) its wonky effects, minimalist character development, and snicker-worthy Freudisms, it knows how to linger! into the wee small hours. Cowriter-producer Guillermo del Toro's mash note of a remake is a superior movie in virtually all aspects, really, yet it somehow fails to ping the same whimpering neurons. Director Troy Nixey's film follows the same basic blueprint as the source material--a fractured family (Guy Pearce, Katie Holmes, and Bailee Madison) moves into a dark old house, only to be tormented by a gaggle of tiny chatterbox demons--but with a much greater emphasis on the mythology and back story of the creatures. Del Toro has long proclaimed his love for the original movie, and it's rather fascinating to see the filmmaker attempt to shoehorn his own trademark obsessions (grim fairy-tale origins, spooky little girls, odd Lovecraftian angles, etc.) into the existing material. Still, such Gothic curlicues, however nifty, ultimately end up diluting the solid-state nightmare fuel of the premise. Aside from a few solid shocks and a strong performance by Holmes, this heartfelt ! redo is unlikely to have the same lasting effect on audiences ! as the m uch cruder original. Instead of focusing on the hows and whys, that one just wanted to freak the viewer out. --Andrew WrightIt's back! The classic TV MOW that continues to cast a spell almost 40 years after it was first broadcast; in a new remastered and enhanced edition. Sally (Kim Darby) and Alex Farnham's (Jim Hutton) marriage has a sinister wedge driven through it; when her occult "imaginings" threaten to derail his career after they inherit Sally's grandmother's house. Also starring William Demarest. Enhanced Content: Superfan commentary track from horror fans and pros Jeffrey Reddick, Steve Barton ("Uncle Creepy") and Sean Abley.

This product is manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.

An old house...a mysterious locked room... a terrifying secret. Elements that make a horror movie memorably chilling get a taut, spooky reworking in Don't Be Afraid of the Dark. Kim Darby (True Grit) and! Jim Hutton (The Green Berets) star as Sally and Alex, young marrieds who inherit a crumbling mansion. Despite warnings to leave well enough alone in her new home, Sally unlocks the mysterious room, opens a bricked-up fireplace - and unleashes a horde of hideous, whispering, murdering mini-demons only she can see and hear. Alex thinks she's imagining things. We know she isn't. And we know Sally should be very, very afraid of the dark!

This product is manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.

Legendary producer / director Dan Curtis (DARK SHADOWS, THE NIGHT STALKER) teams up with writers Richard Matheson (I AM LEGEND, THE TWILIGHT ZONE) and William F. Nolan (LOGAN’S RUN, BURNT OFFERINGS) to present three tales of horrific suspense in this made-for-television anthology that also showcases the tremendous acting talent of Karen Black (FIVE EASY PIECES, THE DAY OF THE LOCUST), who plays no less than four! distinct roles. In "Julie," an aggressive college student se! duces an d ultimately blackmails his seemingly shy English professor. In "Millicent and Therese," two polar-opposite sisters become increasingly hell-bent on the undoing of one another. And in "Amelia," a woman falls prey to a murderous Zuni fetish doll.

Dan Curtis, the creator and producer of such out-of-the-ordinary TV classics as the willfully offbeat gothic soap opera Dark Shadows and the proto-X-Files series The Night Stalker, remains best known for the Zuni fetish doll that terrorizes Karen Black in Trilogy of Terror. The wild-eyed doll, with its snapping jaws and screeching yells, borders on camp, yet its relentless attacks and single-minded, homicidal drive make it an absolutely terrifying figure in the climactic chapter of this trilogy of short films based on stories by Richard Matheson. In the first story, "Julie," Karen Black plays a mousy college professor blackmailed by an obsessed student, and in "Millicent and Therese" she plays sisters c! onsumed with an intense hatred of one another that comes to a head when their father dies. Both of these films conclude with Twilight Zone-ish twists and are more clever than gripping, kept alive mostly by Black's gleefully theatrical performances. With "Amelia," however, Black delivers an almost solo show, playing against the famous Zuni fetish doll, a wooden statue that comes to life when the a protective chain slips off the figure and releases the evil spirit. Curtis turns her apartment into a claustrophobic cage trapping the increasingly hysterical woman as the unstoppable figure hacks at her legs with a kitchen knife and chomps down on her arms and neck with the relentless intensity of a bulldog. It's still a classic of small-screen horror. --Sean Axmaker
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